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Results: 26-50/112
Authors:
JACOB A
Citation: A. Jacob, A HISTORICAL ANTHOLOGY OF EROTIC READING, VOL 1, FROM GILGAMESH TO SAINT-JUST, 2000-BC TO 1790, VOL 2, FROM SADE TO VICTORIA, 1791-1904, VOL 3, FROM APPOLLINAIRE,GUILLAUME TO PETAIN,PHILIPPE, 1905-1944, VOL 4,FROM EISENHOWER TO EMMANUELLE, 1945-1985 - FRENCH - PAUVERT,JJ, PAUVERT,M, Degrés, (89-90), 1997, pp. 1-3
Authors:
EVERAERTDESMEDT N
Citation: N. Everaertdesmedt, A STORY OF BELLS THAT GUARD A SECRET + MA GRITTE LE 'DOUBLE SECRET', Degrés, (89-90), 1997, pp. 1-21
Authors:
JOLY M
Citation: M. Joly, ENCOUNTER + WARHOL,ANDY AND MAGRITTE L 'E VIDENCE ETERNELLE', Degrés, (89-90), 1997, pp. 1-3
Authors:
STEINMETZ R
Citation: R. Steinmetz, MAGRITTE CURTAINS, Degrés, (89-90), 1997, pp. 1-19
Authors:
JONGEN RM
Citation: Rm. Jongen, MAGRITTE,R. ART OF PAINTING AND PONGE,F. WORK OF WRITING, Degrés, (89-90), 1997, pp. 1-26
Authors:
EVERAERTDESMEDT N
Citation: N. Everaertdesmedt, FROM THE READABLE TO THE VISIBLE - FRENCH - COURTES,J, Degrés, (89-90), 1997, pp. 3-3
Authors:
GALIBERT JP
Citation: Jp. Galibert, DEONTOLOGY OF PAINTING - SIGN, SENSE AND THE REAL IN MAGRITTE 'CLEF DES SONGES'( SURREALISM, SEMI OTICS ), Degrés, (88), 1996, pp. 1-13
Authors:
GENINASCA J
Citation: J. Geninasca, LA 'PERSPECTIVE AMOUREUSE' OR THE METAMOR PHOSES OF SEEING + MAGRITTE,RENE, SURREALISM, SEMIOTICS, Degrés, (88), 1996, pp. 1
Authors:
CARUANA F
Citation: F. Caruana, IMAGINAGRITTE + MAGRITTE SURREALISM, SEMI OTICS, Degrés, (88), 1996, pp. 1-21
Authors:
SAINTMARTIN F
Citation: F. Saintmartin, SEMIOTICS ACCORDING TO MAGRITTE, Degrés, (88), 1996, pp. 1-23
Authors:
FRESNAULTDERUELLE P
Citation: P. Fresnaultderuelle, MAGRITTE THE MYSTAGOGUE, A READING OF LA 'DUREE POIGNARDEE' + SURREALISM AND SEMIOTICS, Degrés, (88), 1996, pp. 1
Authors:
HANNA JL
Citation: Jl. Hanna, RHYTHM AND CHOREOGRAPHY, Degrés, (87), 1996, pp. 1-16
Authors:
GARCIAMARTINEZ M
Citation: M. Garciamartinez, REMARKS ON RHYTHM IN THEATER, Degrés, (87), 1996, pp. 1-15
Authors:
ZILBERBERG C
Citation: C. Zilberberg, THE MEANING OF RHYTHM AND THE RHYTHM OF M EANING, BEGINNING WITH THE POETICS OF BACHELARD,GASTON, Degrés, (87), 1996, pp. 1-25
Authors:
ESCAL F
Citation: F. Escal, METER, RHYTHM, MUSICAL WRITING, Degrés, (87), 1996, pp. 1-16
Authors:
PAROUTYDAVID F
Citation: F. Paroutydavid, THE EXTREMELY FREQUENT USE OF THE BREAK I N LITERATURE AND ITS SEMIOTIC AND MORAL IMPLICATIONS, Degrés, (87), 1996, pp. 1-19
Authors:
HELBO A
Citation: A. Helbo, VELTRUSKY,JIRI AND THE PRAGUE LINGUISTIC CIRCLE - INTRODUCTION, Degrés, (85-86), 1996, pp. 1-1
Authors:
VELTRUSKY J
Citation: J. Veltrusky, OUTLINE OF A SEMIOLOGY OF THEATER, Degrés, (85-86), 1996, pp. 1-172
Authors:
OSOLSOBE I
Citation: I. Osolsobe, VELTRUSKY,JIRI, THE SEMIOTICIAN AND THE M AN, Degrés, (85-86), 1996, pp. 1-4
Citation: THE PRAGUE LINGUISTIC CIRCLE, VELTRUSKY,J ., AND THE OTHERS - FRENCH - KOWZAN,T, Degrés, (85-86), 1996, pp. 1-1
Citation: BALLABRIGA,MICHEL, SEMIOTICS OF SURREALIS M, BRETON,ANDRE OR COHERENCE - FRENCH - EVERAERTDESMEDT,N, Degrés, (85-86), 1996, pp. 2-3
Authors:
DOMINICY M
Citation: M. Dominicy, PERCEPTION IN MAETERLINCK,MAURICE 'SERRES CHAUDES', Degrés, (84), 1995, pp. 1-27
Authors:
MAINGUENEAU D
Citation: D. Maingueneau, HEREDIA,JOSE,MARIA 1ST 'TROPHEE', Degrés, (84), 1995, pp. 1-15
Authors:
SANCHEZ J
Citation: J. Sanchez, PONGE,FRANCIS L 'ARAIGNEE', Degrés, (84), 1995, pp. 1-14
Authors:
ADAM JM
Citation: Jm. Adam, PRAGMATICS OF THE POETIC TEXT - SO-CALLED LANGAGE-CUIT IN THE WORKS OF DESNOS,ROBERT, Degrés, (84), 1995, pp. 1-18