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Results: 101-112/112
Authors:
SONESSON G
Citation: G. Sonesson, THE MULTIPLE BODIES OF MAN -LANGUAGE AND EXPRESSION - PROJECT FOR A SEMIOTICS OF THE BODY( BODY), Degrés, (74), 1993, pp. 40000001-40000041
Authors:
SLAMACAZACU T
Citation: T. Slamacazacu, NONVERBAL COMPONENTS OF ORAL COMMUNICATIO N AND THE CONCEPT OF SO-CALLED MIXED-SYNTAX - A SYNTHESIS, Degrés, (74), 1993, pp. 50000001-50000024
Authors:
CALBRIS G
Citation: G. Calbris, GESTURAL POLYSEMY AND GESTURAL VARIANTS + GESTURES AND HAND MOVEMENTSIN EXPRESSION, Degrés, (74), 1993, pp. 60000001-60000013
Authors:
VELTRUSKY J
Citation: J. Veltrusky, THE PLACE AND CHARACTER OF INTERSUBJECTIV E COMMUNICATION IN MUSIC AND DANCE, Degrés, (74), 1993, pp. 70000001-70000010
Authors:
RECTOR M
Citation: M. Rector, DANCE AS NONVERBAL-COMMUNICATION - THE CASE OF THE LAMBADA, Degrés, (74), 1993, pp. 80000001-80000014
Authors:
EVERAERTDESMEDT N
Citation: N. Everaertdesmedt, A SEMIOTIC ANALYSIS OF THE ROLE OF THE TREE IN BECKETT 'EN ATTENDANT GODOT', Degrés, (73), 1993, pp. 1-28
Authors:
DELSEMME P
Citation: P. Delsemme, THEATER AS SPECTACLE, Degrés, (73), 1993, pp. 1-2
Authors:
POUPART R
Citation: R. Poupart, FILMING A THEATRICAL PRODUCTION AND TRANSLATION THEORY - INTERSEMIOTIC AND INTRASEMIOTIC PERSPECTIVES, Degrés, (73), 1993, pp. 1-5
Authors:
LANNOY SD
Citation: Sd. Lannoy, MISE-EN-SCENE AS ESOTERIC READING - BECKETT,SAMUEL 'EN ATTENDANT GODOT', Degrés, (73), 1993, pp. 1-20
Authors:
MEURICE F
Citation: F. Meurice, SCREENPLAY ANALYSIS OF BECKETT 'EN ATTEND ANT GODOT' - PROBLEMS OF INTERPRETATION, Degrés, (73), 1993, pp. 1-8
Authors:
HELBO A
Citation: A. Helbo, BECKETT ON THE SCREEN - METAMORPHOSES OF THE THEATER, Degrés, (73), 1993, pp. 1-10
Authors:
DELSEMME P
Citation: P. Delsemme, AUDIOVISUAL DOCUMENTATION - THE PROBLEMS OF STAGING FOR TELEVISION, Degrés, (73), 1993, pp. 3-11