Citation: H. Stone, RACINE FOR THE NEXT MILLENNIUM (METHODOLOGY AND SURVIVAL OF THE STUDYOF CLASSICAL FRENCH DRAMA IN AMERICA), L'Esprit createur, 38(2), 1998, pp. 5-10
Citation: Lk. Horowitz, THE 2ND TIME AROUND (THE IMPORTANCE OF REPETITION AND ANTERIORITY IN RACINE 'ANDROMAQUE'), L'Esprit createur, 38(2), 1998, pp. 23-33
Citation: M. Longino, 'BAJAZET' A-LA-LETTRE (A LITERAL INTERPRETATION OF RACINE PLAY BRINGING TOGETHER THE DISCOURSES OF HISTORY AND LITERATURE), L'Esprit createur, 38(2), 1998, pp. 49-59
Citation: Se. Melzer, MYTHS OF MIXTURE IN 'PHEDRE' AND THE SUN-KINGS ASSIMILATION POLICY INTHE NEW-WORLD (RACINE USE OF THE MINOTAUR AS A SYMBOL OF MISCEGENATION), L'Esprit createur, 38(2), 1998, pp. 72-81
Citation: H. Stone, MARKING TIME - MEMORIALIZING HISTORY IN 'ATHALIE' (RACINE AND THE CONCEPT OF HISTORY AS LIEU-DE-MEMOIRE), L'Esprit createur, 38(2), 1998, pp. 95-104
Citation: R. Cormier, INVENTING THE VERNACULAR IN THE GUTTERS OF VIRGIL 'AENEID' - FROM MARGINAL DIRT TO SEMINAL ROMANCE, L'Esprit createur, 38(1), 1998, pp. 15-22
Citation: M. Bishop, PROFOUND MARGINALITIES - FROM ADONIS, STE FAN AND BANCQUART TO CHEDID, ROGNET AND STETIE, L'Esprit createur, 38(1), 1998, pp. 91-102