Citation: T. Orange, THE MEANING OF MALLARME, A BILINGUAL EDITION OF HIS 'POESIES' AND UN 'COUP DE DES' - ENGLISH, FRENCH - CHADWICK,C, L'Esprit createur, 37(3), 1997, pp. 98-98
Citation: V. Kelly, RETREAT FROM STRATEGY - THE STATUS OF ENEMIES IN BRUCKNER AND GLUCKSMANN( 2 FRENCH ESSAYISTS ), L'Esprit createur, 37(2), 1997, pp. 56-67
Citation: Rj. Golsan, FROM SARAJEVO TO VICHY - FRENCH INTELLECTUALS AND THE WAGES OF COMMITMENT IN THE BALKANS, L'Esprit createur, 37(2), 1997, pp. 79-89
Citation: Tc. Hilde, ADVENTURES ON THE FREEDOM ROAD - THE FRENCH INTELLECTUALS IN THE 20TH-CENTURY - LEVY,BH, L'Esprit createur, 37(2), 1997, pp. 90-91
Citation: R. Scullion, FRENCH LITERARY FASCISM - NATIONALISM, ANTI-SEMITISM AND THE IDEOLOGYOF CULTURE - CARROLL,D, L'Esprit createur, 37(2), 1997, pp. 92-93
Citation: Jf. Fourny, FRENCH INTELLECTUAL NOBILITY - INSTITUTIO NAL AND SYMBOLIC TRANSFORMATIONS IN THE POST-SARTRIAN ERA - KAUPPI,N, L'Esprit createur, 37(2), 1997, pp. 95-96
Citation: S. Godfrey, EDITORS INTRODUCTION - FASHION AND FASHIONABILITY IN MODERN FRENCH AND FRANCOPHONE CULTURE, L'Esprit createur, 37(1), 1997, pp. 5-20
Citation: M. Waller, DISEMBODIMENT AS A MASQUERADE - FASHION JOURNALISTS AND OTHER REALISTOBSERVERS IN DIRECTORY PARIS, L'Esprit createur, 37(1), 1997, pp. 44-54
Citation: C. Ippolito, THE FLAUBERTIAN BONNET SYSTEM + FLAUBERT ON THE SOCIAL SIGNIFICANCE OF HEADGEAR FASHION, L'Esprit createur, 37(1), 1997, pp. 55-65