Citation: J. Douthwaite, THE EXCEPTIONAL WOMAN - VIGEELEBRUN,ELISABETH AND THE CULTURAL POLITICS OF ART - SHERIFF,MD, L'Esprit createur, 37(1), 1997, pp. 114-115
Citation: Rt. Pickens, THE FALL OF KINGS AND PRINCES - STRUCTURE AND DESTRUCTION IN ARTHURIAN TRAGEDY - GUERIN,MV, L'Esprit createur, 37(1), 1997, pp. 116-116
Citation: D. Schilling, TURNING THE PROCEDURE AROUND - BRETON,AND RE AS READER OF THE WORKS OF ROUSSEL,RAYMOND, L'Esprit createur, 36(4), 1996, pp. 52-63
Citation: M. Rosello, 'MARTINIQUE, CHARMEUSE DE SERPENTS' - BRE TON,ANDRE AND MASSON,ANDRE AND THEIR VIEW OF THE TROPICS, L'Esprit createur, 36(4), 1996, pp. 64-75
Citation: J. Erickson, DALI,SALVADOR ART AND WRITING 1927-1942 - THE METAMORPHOSES OF NARCISSUS - FINKELSTEIN,H, L'Esprit createur, 36(4), 1996, pp. 97-98
Citation: H. Rodina, THE ALLEGORICAL IMPULSE IN THE WORKS OF GRACQ,JULIEN - HISTORY AS RHETORICAL ENACTMENT IN LE 'RIVAGE DES SYRTES' AND UN 'BALCON EN FORET' -MURPHY,CJ, L'Esprit createur, 36(4), 1996, pp. 99-100
Citation: S. Golopenta, DIFFERENCE UNBOUND - THE RISE OF PLURALIS M IN LITERATURE AND CRITICISM - METZIDAKIS,S, L'Esprit createur, 36(4), 1996, pp. 102-103