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Results: 26-50/1141
Authors:
BACHMANN G
ANGELOPOULOS T
Citation: G. Bachmann et T. Angelopoulos, THE TIME THAT FLOWS BY (AN INTERVIEW WITH ANGELOPOULOS,THEO), Film comment, 34(4), 1998, pp. 48-53
Authors:
LYONS D
Citation: D. Lyons, THE LONG GOODBYE - FATHERS AND SONS AND AMERICAN CINEMA (COMPARING 4 FILMS BY BROWN,CLARENCE TO ONE BY KAZAN,ELIA), Film comment, 34(4), 1998, pp. 54-61
Authors:
THOMAJAN D
Citation: D. Thomajan, THE BEST AMERICAN MOVIE WRITING 1998 - SHINDER,J, Film comment, 34(4), 1998, pp. 62-63
Authors:
KENNEDY H
Citation: H. Kennedy, WHATEVER HAPPENED TO BERGMAN,INGMAR, Film comment, 34(4), 1998, pp. 64
Authors:
SCHWARTZ S
Citation: S. Schwartz, CLOWNFACE, THE NEW BERGMAN ('IN THE PRESENCE OF A CLOWN', BERGMAN,INGMAR NEW TV FILM), Film comment, 34(4), 1998, pp. 67-68
Authors:
ARTHUR P
Citation: P. Arthur, UNNATURAL DISASTERS (RECENT DISASTER-ORIENTED PRODUCTIONS), Film comment, 34(4), 1998, pp. 72-75
Authors:
OLSEN M
Citation: M. Olsen, THE WEIRD TURN PRO - FEAR, LOATHING AND GONZO CINEMA (GILLIAM,TERRY ADAPTATION OF THOMPSON,HUNTER,S. 'FEAR AND LOATHING IN LAS VEGAS'), Film comment, 34(4), 1998, pp. 76-78
Authors:
HORTON R
Citation: R. Horton, WICKED PARKS,MICHAEL, Film comment, 34(4), 1998, pp. 79-80
Authors:
JONES K
Citation: K. Jones, INTO THE WOODS (RESPONSE TO THOMSON,DAVID ALLEN,WOODY PIECE, SHOOT THE ACTOR), Film comment, 34(3), 1998, pp. 4-6
Authors:
SMITH G
Citation: G. Smith, THE KIDS ARE ALRIGHT - MEADOWS,SHANE - MOST PROMISING NEW DIRECTOR FOR MAY-JUNE, Film comment, 34(3), 1998, pp. 8
Authors:
KENNEDY H
Citation: H. Kennedy, BERLIN - LEFT LUGGAGE (HIGHLIGHTS OF THE 1998 BERLIN-FILM-FESTIVAL), Film comment, 34(3), 1998, pp. 12-14
Authors:
WILMINGTON M
Citation: M. Wilmington, THE WILD HEART (AN OVERVIEW OF THE FILMS OF SCORSESE,MARTIN), Film comment, 34(3), 1998, pp. 16
Authors:
CONN AL
Citation: Al. Conn, THE ADOLESCENTS OF SCORSESE,MARTIN - THE DRAMA OF THE GIFTED-CHILD (AN APPRECIATION), Film comment, 34(3), 1998, pp. 24
Authors:
ROSEN M
SCORSESE M
Citation: M. Rosen et M. Scorsese, WOMAN TALK (AN INTERVIEW WITH SCORSESE,MARTIN), Film comment, 34(3), 1998, pp. 29-29
Authors:
PATTERSON P
FARBER M
Citation: P. Patterson et M. Farber, THE POWER AND THE GORY - 'TAXI DRIVER' (SCORSESE,MARTIN FILM MAY BE THE SCARIEST MOST ACCURATE DEPICTION WE HAVE OF HOW AN UNDERGROUND MAN CAN EMERGE FROM THE CORNERS AND DERAIL HISTORY), Film comment, 34(3), 1998, pp. 30
Authors:
SCORSESE M
Citation: M. Scorsese, GUILTY PLEASURES (A FILM LOVERS LIST), Film comment, 34(3), 1998, pp. 46
Authors:
THOMSON D
Citation: D. Thomson, THE DIRECTOR AS RAGING BULL - WHY CANT A WOMAN BE MORE LIKE A PHOTOGRAPH (SCORSESE,MARTIN 'RAGING BULL' IS AS BLEAK AS BECKETT, AS FUNNY-SAD AS CHEKHOV), Film comment, 34(3), 1998, pp. 52
Authors:
MURPHY K
Citation: K. Murphy, MADE MEN (SCORSESE,MARTIN 'GOODFELLAS'), Film comment, 34(3), 1998, pp. 64
Authors:
SMITH G
SCORSESE M
Citation: G. Smith et M. Scorsese, STREET SMART - EXCERPTS FROM 3 SCORSESE,MARTIN INTERVIEWS, Film comment, 34(3), 1998, pp. 68
Authors:
FORBES E
Citation: E. Forbes, HERES LOOKING AT YOU, FRED - AN EVOLVING RIGHT (DIGITAL LAWS AND UNAUTHORIZED USES OF FILM FOOTAGE), Film comment, 34(3), 1998, pp. 78-81
Authors:
JOHNSON W
Citation: W. Johnson, NETHERLANDS HIGHS (VANWARMERDAM,ALEX THE 'NORTHERNERS'), Film comment, 34(3), 1998, pp. 83-84
Authors:
CHUTE D
Citation: D. Chute, SILVER LIGHT - A PICTORIAL HISTORY OF HONG-KONG CINEMA, 1920-1970 - FONOROFF,P, Film comment, 34(3), 1998, pp. 85-88
Authors:
CHUTE D
Citation: D. Chute, HONG-KONG CINEMA - THE EXTRA DIMENSIONS - TEO,S, Film comment, 34(3), 1998, pp. 85-88
Authors:
SMITH G
Citation: G. Smith, THE HARD WAY (HIGHLIGHTS OF OUTSTANDING DIRECTORIAL CONTRIBUTIONS TO THE SUNDANCE 98 FILM-FESTIVAL), Film comment, 34(2), 1998, pp. 6
Authors:
JONES K
Citation: K. Jones, 'AFFLICTION' - SCHRADER,P, Film comment, 34(2), 1998, pp. 8-8