Citation: E. Giuliani, OPERA THROUGHOUT THE HISTORY + ON THE EXAMPLE OF THE OPERA IN FRANCE (THE INSTITUTION, ITS REPERTOIRE, AND ITS AUDIENCE), FON ART MUS, 44(2), 1997, pp. 169-177
Citation: K. Deggeller, COORDINATION OF MUSIC DOCUMENTATION IN SWITZERLAND - REALITIES, PROJECTS, DREAMS FOR THE FUTURE, FON ART MUS, 44(1), 1997, pp. 3-6
Citation: THE PAUL-SACHER-FOUNDATION + THE FOUNDATION IN BASEL DEDICATED TO THEPRESERVATION OF SACHER,PAUL MUSICAL ESTATE, FON ART MUS, 44(1), 1997, pp. 20-22
Citation: D. Baumann, MUSIC DOCUMENTATION IN SWITZERLAND -INTERNATIONAL-DES-SOURCES-MUSICALES, ANALYTICAL INDEXING OF MANUSCRIPT AND PRINTED SOURCES PERTAINING TO MUSIC - THE FUTURE OF SHARED CATALOGING AND RISM-A-II( REPERTOIRE), FON ART MUS, 44(1), 1997, pp. 23-31
Citation: J. Waeber, 'PYGMALION' AND ROUSSEAU,J.J. + THE COLLA BORATION OF THE WRITER ROUSSEAU AND THE COMPOSER COIGNET ON THIS MELODRAMA IN 1770, FON ART MUS, 44(1), 1997, pp. 32-41
Citation: R. Taylor, A REPORT ON THE MAD MUSIC-LIBRARY DISEASE [MMLD] IN THE UNITED-KINGDOM -LIBRARIES( THE DECLINE OF FUNDING FOR MUSIC), FON ART MUS, 44(1), 1997, pp. 105-106
Citation: G. Haberkamp, AN INTERNATIONAL BIOGRAPHICAL INDEX OF MU SIC, COMPOSERS, CONDUCTORS,INSTRUMENTALISTS AND SINGERS - GERMAN - DORFMULLER,K, FON ART MUS, 44(1), 1997, pp. 107-108
Citation: J. Tsou, WOMEN AND MUSIC - A SELECTIVE ANNOTATED-BIBLIOGRAPHY ON WOMEN AND GENDER ISSUES IN MUSIC 1987-1992 - ERICSON,MD, FON ART MUS, 43(4), 1996, pp. 413-414
Citation: R. Taylor, CORRESPONDENCE WITH SCHOENBERG,ARNOLD, WEBERN,ANTON, BERG,ALBAN AND SCHREKER,FRANZ - GERMAN - ZEMLINSKY,A, WEBER,H, FON ART MUS, 43(4), 1996, pp. 415-416