Citation: Gb. Kaplan, INNOVATION AND HUMOR IN 3 OF EL 'CONDE LUCANOR'S MOST AMUSING EXEMPLOS - A FREUDIAN APPROACH (JUAN-MANUEL), Hispanofila, (123), 1998, pp. 1-15
Citation: Mc. Harges, ROLE-REVERSAL IN SPECULATIVE FICTION - AN ALTERNATIVE VISION OF THE FUTURE IN 'TEMBLOR' (MONTERO,ROSA), Hispanofila, (123), 1998, pp. 31-36
Citation: P. Melendez, TRIANA,JOSE THEATER OF THE ABSURD (AN ESSAY IN GREIMASIAN NARRATOLOGY) - SPANISH - FERNANDEZFERNANDEZ,R, Hispanofila, (123), 1998, pp. 104-106
Citation: S. Dolgincasado, ESPERPENTIC GEOGRAPHY - LITERARY SPACE IN THE ESPERPENTOS OF VALLE-INCLAN - SPANISH - TORNER,E, Hispanofila, (123), 1998, pp. 107-108
Citation: S. Dolgincasado, THEATER AND UTOPIA - THE DRAMATIC WORKS OF GOMEZDELASERNA,RAMON - SPANISH - HERREROVECINO,C, Hispanofila, (123), 1998, pp. 108-110
Citation: M. Martinezgongora, THE IMAGE OF THE DANUBE RIVER AND THE CIR CULAR ARRANGEMENT OF CANCION-III BY GARCILASO-DE-LA-VEGA - THE POWER OF THE POETIC VOICE, Hispanofila, (122), 1998, pp. 17-27
Citation: J. Perez, FERNANDEZCUBAS,CRISTINA - NARRATIVE UNRELIABILITY AND THE FLIGHT FROMCLARITY, OR, THE QUEST FOR KNOWLEDGE IN THE FOG, Hispanofila, (122), 1998, pp. 29-39
Citation: A. Lambright, LOSING GROUND - SOME NOTES ON THE FEMININE IN EL 'ZORRO DE ARRIBA Y EL ZORRO DE ABAJO' (ARGUEDAS,JOSE,MARIA), Hispanofila, (122), 1998, pp. 71-84
Citation: La. Detwiler, DECONSTRUCTING THE ROLE OF LOVE IN 2 OF NERUDA,PABLO 'VEINTE POEMAS DE AMOR Y UNA CANCION DESESPERADA', Hispanofila, (122), 1998, pp. 85-93