Citation: Dg. Fisher, THE DILEMMA OF THE DIVIDED SELF IN 3 POEMS BY CONDE,CARMEN -CONMIGO','LIMITE' AND 'DOMINIO'( 'ENCUENTRO), Hispanofila, (118), 1996, pp. 49-63
Citation: Jf. Maura, THE FORGOTTEN EPIC OF THE CONQUEST OF MEXICO - ESTRADA,MARIA,DE, BERMUDEZDEVELASCO,BEATRIZ AND OTHER WOMEN OF ACTION, Hispanofila, (118), 1996, pp. 65-74
Citation: R. Hill, THE PROTESTA-DEL-AUTOR AND HUMAN AUTHORITY IN SPANISH-AMERICAN HISTORIOGRAPHY OF THE 17TH-CENTURY, Hispanofila, (118), 1996, pp. 75-89
Citation: Y. Agawukakraba, DELIBES,MIGUEL AND THE POLITICS OF 2 WOMEN, 'CINCO HORAS CON MARIO' AND 'SENORA DE ROJO SOBRE FONDO GRIS', Hispanofila, (117), 1996, pp. 63-77
Citation: M. Ihrie, RHETORIC, DIDACTIC INTENT, AND THE 'CARCEL DE AMOR' + AESTHETIC DISCOURSE AND POLITICAL DISCOURSE IN THE TRATADO OF SANPEDRO,DIEGO,DE, Hispanofila, (116), 1996, pp. 1-14
Citation: Ji. Moraza, THE CHARACTERS FABIA AND CLARIN -DE-VEGA - SYMBOLS OF THEATRICALITY IN EL 'CABALLERO DE OLMEDO' AND LA 'VIDA ES SUENO'( THE CON CEPT OF THEATER AS A LIBERATING ART AS EXEMPLIFIED IN THE COMEDIAS OF CALDERONDELABARCA AND LOPE), Hispanofila, (116), 1996, pp. 15-27
Citation: Jr. Krato, 18TH-CENTURY ATTITUDES TOWARDS WOMEN AND LARRA EL 'CASARSE PRONTO Y MAL' -DE-COSTUMBRES( THE 'CARTAS MARRUECAS' OF CADALSO AS A SOURCE FOR THIS ARTICULO), Hispanofila, (116), 1996, pp. 29-34
Citation: M. Mosher, THE SPANISH TERMS DESESPACIOS AND DESTIEM POS IN THE WORMHOLES OF CORTAZAR + ELEMENTS OF QUANTUM PHYSICS EXEMPLIFIED IN THE NARRATIVE PROSEOF CORTAZAR,JULIO, Hispanofila, (116), 1996, pp. 69-82