Citation: G. Geirola, THEATER PRODUCTION IN LATIN-AMERICA - THE THEORY AND PRACTICE OF DRAMA - SPANISH - PELLETTIERI,O, ROVNER,E, Latin American theatre review, 31(2), 1998, pp. 212-215
Citation: G. Luzuriaga, THEATER, PUBLIC AND STATE IN SAN-JOSE (CO STA-RICA), 1880-1914 - SPANISH - FUMERO,P, Latin American theatre review, 31(2), 1998, pp. 216-218
Citation: La. Ramosgarcia, PERUVIAN POPULAR THEATER, FROM PRE-COLUMB IAN TIMES TO THE 20TH-CENTURY - SPANISH - OLESZKIEWICZ,M, Latin American theatre review, 31(2), 1998, pp. 218-220
Citation: M. Rojas, AN INTERRUPTED HISTORY - MODERN ARGENTINE THEATER, 1949-1976 (SPANISH) BY PELLETTIERI,O (VOL 31, PG 195, 1997), Latin American theatre review, 31(2), 1998, pp. 220-220
Citation: Hr. Morell, 'PENAS SIN IMPORTANCIA' AND 'TIO VANIA' - PARODIC DIALOGUE BETWEEN CHEJOV AND GAMBARO, Latin American theatre review, 31(1), 1997, pp. 5-14
Citation: W. Garcia, TEXTUAL THEATRICAL SABOTAGE AGAINST THE C ANONIC MODEL - 'ANTIGONA-HUMOR' BY DOMINGUEZ,FRANKLIN/, Latin American theatre review, 31(1), 1997, pp. 15-29
Citation: J. Hoeg, RHETORIC AND FREUDIAN NEGATION IN VILALTA ,MARUXA 'ESTA NOCHE JUNTOS,AMANDONOS TANTO', Latin American theatre review, 31(1), 1997, pp. 31-41
Citation: S. Pellarolo, THE PROFESSIONALIZATION OF NATIONAL THEAT ER IN ARGENTINA - A FORERUNNER - TREJO,NEMESIO, Latin American theatre review, 31(1), 1997, pp. 59-70
Citation: Ja. Serna, THE WOMAN AS PARADIGM OF THE IDENTITY SIL ENCED FIGHT IN 'SOLUNA' BY ASTURIAS,MIGUEL,ANGEL, Latin American theatre review, 31(1), 1997, pp. 71-78