Citation: L. Garavito, AQUI NO HA PASADO NADA - ILLICIT DRUG TRA FFIC, CORRUPTION AND VIOLENCE IN 'GOLPE DE SUERTE' AND EL 'PASO' BY TEATRO LA CANDELARIA, Latin American theatre review, 30(2), 1997, pp. 73-88
Citation: D. Cohen, DEFINING AND DEFYING WOMAN IN 4 PLAYS BY HERNANDEZ,LUISA,JOSEFINA + LOS 'FRUTOS CAIDOS', LOS 'HUESPEDES REALES', EL 'ORDEN DE LOS FACTORES'AND EL 'AMIGO SECRETO', Latin American theatre review, 30(2), 1997, pp. 89-102
Citation: L. Seda, CLOTHES DONT MAKE THE MAN - TRANSVESTISM, HOMOSEXUALITY AND LESBIANISM IN '...Y A OTRA MARIPOSA' BY TORRESMOLINA,SUSANA, Latin American theatre review, 30(2), 1997, pp. 103-114
Citation: Id. Rosariomoreno, RECONTEXTUALIZING THE CHARACTER OF ANTIGO NE IN CONTEMPORARY BRAZILIAN AND ARGENTINE PLAYS, Latin American theatre review, 30(2), 1997, pp. 115-129
Citation: G. Alzate et A. Hadad, EXPANDING THE LIMITS OF THEATER - AN INTE RVIEW WITH HADAD,ASTRID, Latin American theatre review, 30(2), 1997, pp. 153-163
Citation: C. Marquezmontes, IX-FESTIVAL-DEL-SUR - THEATRICAL ENCOUNTE R OF 3 CONTINENTS (AGUIMES,GRAN-CANARIA), Latin American theatre review, 30(2), 1997, pp. 164-168
Citation: P. Bravoelizondo, THEATER AND ANARCHIST FOLLETINES FROM THE RIVER PLATE (1895-1910) - STUDY AND ANTHOLOGY - SPANISH - GOLLUSCIODEMONTOYA,E, Latin American theatre review, 30(2), 1997, pp. 171-173
Citation: P. Bravoelizondo, 6 DRAMATIC PIECES WITHOUT OPUS NUMBER - S UPPLEMENT - 5 MINOR WORKS -SPANISH - NAJERA,R, Latin American theatre review, 30(2), 1997, pp. 175-176
Citation: Mb. Orcutt, ARGENTINE JEWISH THEATER - A CRITICAL ANT HOLOGY - GLICKMAN,N, WALDMAN,G, Latin American theatre review, 30(2), 1997, pp. 176-178
Citation: B. Rizk, URGENT DIDASCALIES OF AN INTERESTED FEMAL E SPECTATOR - SPANISH - TABARES,VM, Latin American theatre review, 30(2), 1997, pp. 178-181
Citation: B. Rizk, THE ADVENTURE OF THE ESCAMBRAY - NOTES ON THEATER AND SOCIETY - SPANISH - VALINO,OC, Latin American theatre review, 30(2), 1997, pp. 178-181
Citation: Ma. Salgado, REFLECTIONS OF CONCAVE MIRRORS - CLASSICA L THEATER IN STORNI,ALFONSINA FARSAS-PIROTECNICAS, Latin American theatre review, 30(1), 1996, pp. 21-32
Citation: O. Pellettieri, PARODIC THEATER AND THE POLITICAL INTERTE XT IN BUENOS-AIRES (1970-1972), Latin American theatre review, 30(1), 1996, pp. 33-42
Citation: G. Ravetti et S. Rojo, AMARAL,MARIA,ADELAIDE OR THE CRISIS OF TH E BRAZILIAN MIDDLE-CLASS, Latin American theatre review, 30(1), 1996, pp. 43-54
Citation: S. Magnarelli, TEA FOR 2 - PERFORMING HISTORY AND DESIRE IN BERMAN,SABINA 'ENTRE VILLA Y UNA MUJER DESNUDA', Latin American theatre review, 30(1), 1996, pp. 55-74
Citation: Ds. George, ENCENADOR THOMAS,GERALD 'FLASH AND CRASH DAYS' - RODRIGUES,NELSON WITHOUT WORDS, Latin American theatre review, 30(1), 1996, pp. 75-88
Citation: P. Bravoelizondo et Im. Stranger, AN INTERVIEW WITH STRANGER,INES,MARGARITA (CHILE) AND HER FEMALE CHARACTERS, Latin American theatre review, 30(1), 1996, pp. 89-95
Citation: M. Castellvidemoor et B. Mosquera, AN INTERVIEW WITH MOSQUERA,BEATRIZ - THRO UGH THE MASKS, Latin American theatre review, 30(1), 1996, pp. 105-110