Citation: Mf. Sikora, 4TH INTERNATIONAL-CONFERENCE ON IBERO-AME RICAN AND ARGENTINE THEATER, HELD IN BUENOS-AIRES, AUGUST 10-14, 1995, Latin American theatre review, 29(1), 1995, pp. 163-168
Citation: Mf. Sikora, PRESENTATION OF THE ARMANDO-DISCEPOLO-AWA RD TO THEATER RESEARCH + WOODYARD,GEORGE, 1994 WINNER OF THE AWARD, Latin American theatre review, 29(1), 1995, pp. 177-178
Citation: E. Gollusciodemontoya, DISCERNING THE DIDASCALIES - FRENCH - GOL OPENTIA,S, MARTINEZTHOMAS,M, Latin American theatre review, 29(1), 1995, pp. 181-183
Citation: Em. Gilmore, MORE THAN COMMON WORDS, ESSAYS ON TRIANA,JOSE THEATER - SPANISH - NIGRO,KF, Latin American theatre review, 29(1), 1995, pp. 191-193
Citation: T. Mendezfaith, AN APPROACH TO THE TRAJECTORY OF ARGENTIN E THEATER - FROM THE NATIONAL ORIGINS TO THE PRESENT - SPANISH - ORDAZ,L, Latin American theatre review, 29(1), 1995, pp. 194-195
Citation: R. Costantino, POSTMODERNISM AND FEMINISM IN MEXICAN THEATER, 'AURA Y LAS ONCE MIL VIRGENES' BY BOULLOSA,CARMEN, Latin American theatre review, 28(2), 1995, pp. 55-71
Citation: G. Geirola, SEXUALITY, ANARCHY AND THEATRICALITY IN L OS 'INVERTIDOS' BY GONZALEZCASTILLO,JOSE, Latin American theatre review, 28(2), 1995, pp. 73-84
Citation: Rj. Slawson, THE POLITICAL AND ECONOMIC CAUSES OF THE DEMISE OF THE TEATRO-NACIONAL-POPULAR OF PERU, Latin American theatre review, 28(2), 1995, pp. 97-104
Citation: K. Mccoy, THE THEATER OF VARGASLLOSA,MARIO, A BIBLIOGRAPHY AND PRODUCTION HISTORY, 1981-1994, Latin American theatre review, 28(2), 1995, pp. 105-111
Citation: H. Kage, THE SOCIEDAD-DE-TEATRO-Y-MEDIOS-DE-LATINO AMERICA + PROJECTS, PUBLICATIONS AND SYMPOSIUMS, Latin American theatre review, 28(2), 1995, pp. 147-149
Citation: A. Nunez, THE CENTRO-DE-EXPRESION-TEATRAL, A BRIEF ESSAY ON ITS ORIGINS AND MOST IMPORTANT PRODUCTIONS, Latin American theatre review, 28(2), 1995, pp. 151-155