Citation: Jp. Grosperrin, DESCRIBING LAUGHTER IN THE CLASSICAL-PERI OD - DEPICTING IN ORDER TO ESTABLISH BETTER CONTROL - FRENCH - BERTRAND,D, Litteratures, (34), 1996, pp. 174-176
Citation: M. Dottinorsini, THE ART OF THE SHORT NARRATIVE AS SEEN IN THE WORKS OF LORRAIN,JEAN -FRENCH - SANTOS,J, Litteratures, (34), 1996, pp. 179-181
Citation: F. Pradayrol, CRITICAL-READING OF THE NOVELS OF JOUVE,P IERRE,JEAN - NARCISSUS IN SEARCH OF HIMSELF - FRENCH - POZZA,S, Litteratures, (34), 1996, pp. 188-190
Citation: M. Mazouer, RACINE,JEAN USE OF THE FACE AND THE PRESE NCE OF CHARACTERS IN 'BRITANNICUS', 'BERENICE' AND 'MITHRIDATE', Litteratures, (33), 1995, pp. 17-31
Citation: D. Mimosoruiz, SHADOWS AND DOUBLES IN LITERATURE - THE S O-CALLED DOPPELGANGER FROM CHAMISSO,ADALBERT,DE TO NABOKOV,VLADIMIR, Litteratures, (33), 1995, pp. 79-91
Citation: S. Huber, EXPLORING THE SO-CALLED DARK-ROOM OF THE IMAGINATION - FAMILY NOVELS WRITTEN BY POETS, FOR EXAMPLE RILKE,RAINER,MARIA AND JOYCE,JAMES, Litteratures, (33), 1995, pp. 93-112
Citation: P. Chardin, WOMEN, ARTISTS, PRIESTS AND POETRY IN JOY CE,JAMES 'PORTRAIT DE LARTISTE EN JEUNE HOMME' OR HOW ONE FAREWELL CAN HIDE ANOTHER, Litteratures, (33), 1995, pp. 113-123
Citation: C. Astier, MYTHS AND THE GLORIFICATION OF THE POET I N JOYCE,JAMES 'PORTRAIT OF THE ARTIST AS A YOUNG MAN', Litteratures, (33), 1995, pp. 125-138