Citation: T. Vaessens, MANSARD ROOMS ARE ALWAYS DRAFTY - THE AMERICAN LADY AND THE MEXICAN DANCER - ROMANTIC NOSTALGIA, Maatstaf, 46(3), 1998, pp. 38-47
Citation: R. Kagie, THE FORBIDDEN SAXOPHONE - THE EVOLUTION OF JAZZ CULTURE IN EUROPE ANDRUSSIA FROM 1927 TO THE PRESENT, Maatstaf, 46(3), 1998, pp. 65-74