Citation: L. Hammer, POLITICS AND FORM IN POSTMODERN POETRY - OHARA, BISHOP, ASHBERY AND MERRILL - BLASING,MK, Modern philology, 96(1), 1998, pp. 137-142
Citation: Gf. Butler, GIANTS AND FALLEN ANGELS IN DANTE AND MILTON - THE 'COMMEDIA' AND THEGIGANTOMACHY IN 'PARADISE LOST', Modern philology, 95(3), 1998, pp. 352-363
Citation: Rf. Yeager, SCIENCES AND THE SELF IN MEDIEVAL POETRY - ALAN-OF-LILLE 'ANTICLAUDIANUS' AND GOWER,JOHN 'CONFESSIO AMANTIS' - SIMPSON,J, Modern philology, 95(3), 1998, pp. 371-375
Citation: Tm. Krier, TRANSFORMING DESIRE - EROTIC KNOWLEDGE IN BOOK-III AND BOOK-IV OF THE'FAERIE QUEENE' - SILBERMAN,L, Modern philology, 95(3), 1998, pp. 382-385
Citation: M. Dobson, THE RE-IMAGINED TEXT - SHAKESPEARE, ADAPTATION AND 18TH-CENTURY LITERARY-THEORY - MARSDEN,JI, Modern philology, 95(3), 1998, pp. 389-392
Citation: Mjm. Ezell, CULTURE AND SOCIETY IN THE STUART RESTORATION - LITERATURE, DRAMA, HISTORY - MACLEAN,G, Modern philology, 95(3), 1998, pp. 392-395
Citation: J. Campbell, NOBODYS STORY - THE VANISHING ACTS OF WOMEN-WRITERS IN THE MARKETPLACE, 1670-1820 - GALLAGHER,C, Modern philology, 95(3), 1998, pp. 396-400
Citation: R. Paulson, THE FEMALE THERMOMETER - 18TH-CENTURY CULTURE AND THE INVENTION OF THE UNCANNY - CASTLE,J, Modern philology, 95(3), 1998, pp. 400-404
Citation: M. Poovey, EQUIVOCAL BEINGS - POLITICS, GENDER AND SENTIMENTALITY IN THE 1790S -WOLLSTONECRAFT, RADCLIFFE, BURNEY, AUSTEN - JOHNSON,CL, Modern philology, 95(3), 1998, pp. 408-411