Citation: Am. Kabanoff, JAPAN NAME CULTURE - THE SIGNIFICANCE OF NAMES IN A RELIGIOUS, POLITICAL AND SOCIAL-CONTEXT - PLUTSCHOW,H, Monumenta Nipponica, 52(1), 1997, pp. 125-126
Citation: Pf. Kornicki, CATALOG OF PRE-MEIJI JAPANESE BOOKS AND MAPS IN PUBLIC COLLECTIONS INTHE NETHERLANDS - KERLEN,H, Monumenta Nipponica, 52(1), 1997, pp. 126-128
Citation: Rh. Hesselink, THE WESTERN SCIENTIFIC GAZE AND POPULAR IMAGERY IN LATER EDO JAPAN - THE LENS WITHIN THE HEART - SCREECH,T, Monumenta Nipponica, 52(1), 1997, pp. 128-131
Citation: Sk. Johnson, THE GIFT OF GENERATIONS - JAPANESE AND AMERICAN PERSPECTIVES ON AGINGAND THE SOCIAL-CONTRACT - HASHIMOTO,A, Monumenta Nipponica, 52(1), 1997, pp. 136-139
Citation: J. Mira, THE GODS COME DANCING - A STUDY OF THE JAPANESE RITUAL DANCE OF YAMABUSHI-KAGURA - AVERBUCH,I, Monumenta Nipponica, 52(1), 1997, pp. 141-143
Citation: M. Inoue, KIYOKATA ASASUZU - THE EMERGENCE OF THE JOGAKUSEI IMAGE( KIYOKATA,KABURAKI PORTRAYAL OF A FEMALE STUDENT AND ITS THEMATIC SIGNIFICANCE IN MODERN JAPANESE ART ), Monumenta Nipponica, 51(4), 1996, pp. 431-460
Citation: R. Bundy, THE ROLE OF POETRY IN CLASSICAL JAPANESE LITERATURE - A CODE AND DISCURSIVITY ANALYSIS - RAUD,R, Monumenta Nipponica, 51(4), 1996, pp. 461-464
Citation: R. Borgen, THE PURSUIT OF LONELINESS - CHINESE AND JAPANESE NATURE POETRY IN MEDIEVAL JAPAN, C.1050-1150 - SMITS,I, Monumenta Nipponica, 51(4), 1996, pp. 464-466
Citation: Rk. Thomas, GREAT FOOL - ZEN MASTER RYOKAN - POEMS, LETTERS, AND OTHER WRITINGS -ABE,R, HASKEL,P, Monumenta Nipponica, 51(4), 1996, pp. 467-468
Citation: Pi. Lyons, THE FANTASTIC IN MODERN JAPANESE LITERATURE - THE SUBVERSION OF MODERNITY - NAPIER,SJ, Monumenta Nipponica, 51(4), 1996, pp. 469-471
Citation: J. Cohn, LITERATURE OF THE LOST HOME - KOBAYASHI,HIDEO, LITERARY-CRITICISM, 1924-1939 - ANDERER,P, Monumenta Nipponica, 51(4), 1996, pp. 473-476
Citation: S. Arntzen, COURT LIFE IN JAPAN DURING THE HEIAN PERIOD, 10TH AND 11TH CENTURIES - FRENCH - HERAIL,F, Monumenta Nipponica, 51(4), 1996, pp. 478-480