Citation: Ca. Gerstle, HERO AS MURDERER IN CHIKAMATSU + BACKGROUND AND SUMMARY OF THE PLAY, 'FUTAGO SUMIDAGAWA', Monumenta Nipponica, 51(3), 1996, pp. 317
Citation: M. Chicamatsu, 'FUTAGO SUMIDAGAWA' ('TWINS AT THE SUMIDA RIVER') -3 WITH NOTES BY GERSTLE,C.ANDREW( TRANSLATION OF ACT), Monumenta Nipponica, 51(3), 1996, pp. 338-356
Citation: Mc. Strecher, PURELY MASS OR MASSIVELY PURE, THE DIVISION BETWEEN PURE-LITERATURE AND MASS-LITERATURE + AN EXAMINATION OF THE HISTORICAL MOMENT AT WHICH THE DISTINCTION BETWEEN JUNBUNGAKU AND TAISHUBUNGAKU WAS DEFINED, Monumenta Nipponica, 51(3), 1996, pp. 357-374
Citation: Mi. White, JAPANESE WOMEN - NEW FEMINIST PERSPECTIVES OF THE PAST, PRESENT AND FUTURE - FUJIMURAFANSELOW,K, KAMEDA,A, Monumenta Nipponica, 51(3), 1996, pp. 389-391
Citation: B. Lewis, PICTURING JAPANESENESS - MONUMENTAL STYLE, NATIONAL IDENTITY, JAPANESE FILM - DAVIS,DW, Monumenta Nipponica, 51(3), 1996, pp. 397-400
Citation: Ra. Gardner, THE CULT AT THE END OF THE WORLD - THE INCREDIBLE STORY OF AUM - KAPLAN,DE, MARSHALL,A, Monumenta Nipponica, 51(3), 1996, pp. 402-405
Citation: M. Oe, A 'RECORD OF MY TWILIGHT YEARS' (BONEN NO KI) + TRANSLATED FROM THE JAPANESE WITH NOTES BY URY,MARIAN, Monumenta Nipponica, 51(2), 1996, pp. 148-151