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Citation: J. Onekwusi, THE SHORT-STORY - A NEGLECTED GERM IN THE CREATIVE DEVELOPMENT OF SOME PIONEER AFRICAN NOVELISTS, Neohelicon, 21(2), 1994, pp. 221-233
Citation: M. Peyninoku, ARE FOLK NARRATIVES ESSENTIALLY REPETITIVE - A BRIEF NOTE ON REPETITION IN FOLK NARRATIVES, Neohelicon, 21(2), 1994, pp. 303-310
Citation: C. Kefalea, WAS-DIESE-GRIECHEN-ZU-TELEFONIEREN-HABEN - REALITY AND CLICHE IN LITERARY DEPICTIONS OF GREECE, Neohelicon, 21(2), 1994, pp. 325-347
Citation: L. Illes, STYLISTIC PERIODS - THEORY AND DISCUSSION - AN INTERDISCIPLINARY ANTHOLOGY FROM WINCKELMANN TO THE PRESENT - GERMAN - POR,P, RADNOTI,S, EDITORS, Neohelicon, 21(2), 1994, pp. 345-355
Citation: G. Bodnar, MODERNITY RECONSIDERED -1993 LITERARY CONFERENCE HELD AT THE UNIVERSITY-OF-PECS, HUNGARY( WELCOME SPEECH TO THE APRIL), Neohelicon, 21(1), 1994, pp. 9-13
Citation: L. Illes, A LATE ATTEMPT AT COMPLETION OF THE MODER N - THE SO-CALLED NEUE-SACHLICHKEIT AND HUNGARIAN SOCIOGRAPHIC LITERATURE, Neohelicon, 21(1), 1994, pp. 47-60
Citation: L. Kabdebo, ON THE BORDERLINE OF 19TH-CENTURY AND 20TH-CENTURY POETIC DISCOURSES - THE APPEARANCE OF THE DIALOGICAL POETIC PARADIGM, Neohelicon, 21(1), 1994, pp. 61-83
Citation: W. Gobbers, MODERNITY OR MODERNISM AND THE AVANT-GARD E IN LITERATURE - OBVIOUS SIMILARITIES IN AN AMBIGUOUS RELATIONSHIP, Neohelicon, 21(1), 1994, pp. 167-187
Citation: A. Classen, THE RECEPTION OF THE GERMAN 'FORTUNATUS' IN ENGLAND - DEKKER,THOMAS AND HIS DRAMATIZATION OF THE SO-CALLED VOLKSBUCH, Neohelicon, 21(1), 1994, pp. 289-311