Citation: Hp. Lund, THE POETICS OF CHATEAUBRIAND - THE PORTRA IT IN HIS 'MEMOIRES DOUTRE-TOMBE' - FRENCH - BERCEGOL,F, Revue romane, 32(2), 1997, pp. 321-324
Citation: Hp. Lund, THE SYMBOLISM OF LIGHT AND SHADOW IN THE WORKS OF CAMUS,ALBERT - ANALYSIS OF PATTERNS IN THE ARENA OF CONFLICT PITTING NATURE AGAINST HISTORY - GERMAN - TRAGESERREBETEZ,F, Revue romane, 32(2), 1997, pp. 332-333
Citation: L. Stage, THE TRANSPOSITION OF ACTANTS IN NOUN PHRA SES - A STUDY OF NUCLEAR NOMINALIZATION AND THE USE OF PREPOSITIONS, Revue romane, 32(1), 1997, pp. 51-86
Citation: I. Korzen, REFERENCE AND NOMINAL INTERPRETATION - TE XTUAL REFERENTS BETWEEN SEMANTICS AND PRAGMATICS - ITALIAN - BERSELLI,GB, Revue romane, 32(1), 1997, pp. 153-159
Citation: G. Skytte, PAPERS ON THE THE METHODOLOGICAL HISTORY OF MODERN PHILOLOGY - CELEBRATING THE 125TH ANNIVERSARY OF THE MAX-NIEMEYER-VERLAG - GERMAN - HARSCHNIEMEYER,R, Revue romane, 32(1), 1997, pp. 162-163
Citation: H. Lagerqvist, ETYMOLOGICAL DICTIONARY OF OLD FRENCH (DE AF), FASCICLE-G, 9-10 - FRENCH - BALDINGER,K, Revue romane, 32(1), 1997, pp. 163-168