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Table of contents of journal: *Screen (London. Print)

Results: 1-25/292

STRUCTURE OF ANXIETY - RECENT BRITISH TELEVISION CRIME-FICTION

Authors: BRUNSDON C

Citation: C. Brunsdon, STRUCTURE OF ANXIETY - RECENT BRITISH TELEVISION CRIME-FICTION, Screen (London. Print), 39(3), 1998, pp. 223-243

WHERE DOES IT HAPPEN - THE PLACE OF PERFORMANCE IN THE WORK OF CASSAVETES,JOHN

Authors: KOUVAROS G

Citation: G. Kouvaros, WHERE DOES IT HAPPEN - THE PLACE OF PERFORMANCE IN THE WORK OF CASSAVETES,JOHN, Screen (London. Print), 39(3), 1998, pp. 244-258

NARRATIVES OF RESISTANCE - NATIONAL IDENTITY AND AMBIVALENCE IN THE TURKISH MELODRAMA BETWEEN 1965 AND 1975

Authors: ERDOGAN N

Citation: N. Erdogan, NARRATIVES OF RESISTANCE - NATIONAL IDENTITY AND AMBIVALENCE IN THE TURKISH MELODRAMA BETWEEN 1965 AND 1975, Screen (London. Print), 39(3), 1998, pp. 259-271

THE CELTIC BLUE NOTE - JAZZ IN JORDAN,NEIL 'NIGHT IN TUNISIA', 'ANGEL' AND THE 'MIRACLE'

Authors: PRAMAGGIORE M

Citation: M. Pramaggiore, THE CELTIC BLUE NOTE - JAZZ IN JORDAN,NEIL 'NIGHT IN TUNISIA', 'ANGEL' AND THE 'MIRACLE', Screen (London. Print), 39(3), 1998, pp. 272-288

THE DIANA DEBATE (THE MEDIA AND THE CONSTRUCTION OF CONTEMPORARY RITUAL)

Authors: BECKER K

Citation: K. Becker, THE DIANA DEBATE (THE MEDIA AND THE CONSTRUCTION OF CONTEMPORARY RITUAL), Screen (London. Print), 39(3), 1998, pp. 289-293

HOLLYWOOD (DIANA AND THE MEDIA CULTURE)

Authors: HERMES J

Citation: J. Hermes, HOLLYWOOD (DIANA AND THE MEDIA CULTURE), Screen (London. Print), 39(3), 1998, pp. 293-295

COMMONWEALTH FUND CONFERENCE IN AMERICAN HISTORY - HOLLYWOOD AND ITS SPECTATORS - THE RECEPTION OF AMERICAN FILMS, 1895-1995, UNIVERSITY-COLLEGE LONDON 12-14 FEBRUARY, 1998

Authors: DEBAUCHE LM

Citation: Lm. Debauche, COMMONWEALTH FUND CONFERENCE IN AMERICAN HISTORY - HOLLYWOOD AND ITS SPECTATORS - THE RECEPTION OF AMERICAN FILMS, 1895-1995, UNIVERSITY-COLLEGE LONDON 12-14 FEBRUARY, 1998, Screen (London. Print), 39(3), 1998, pp. 296-298

COMMONWEALTH FUND CONFERENCE IN AMERICAN HISTORY - HOLLYWOOD AND ITS SPECTATORS - THE RECEPTION OF AMERICAN FILMS, 1895-1995, UNIVERSITY-COLLEGE LONDON 12-14 FEBRUARY, 1998

Authors: MOSELEY R PHILLIPS A

Citation: R. Moseley et A. Phillips, COMMONWEALTH FUND CONFERENCE IN AMERICAN HISTORY - HOLLYWOOD AND ITS SPECTATORS - THE RECEPTION OF AMERICAN FILMS, 1895-1995, UNIVERSITY-COLLEGE LONDON 12-14 FEBRUARY, 1998, Screen (London. Print), 39(3), 1998, pp. 298-301

COLONIAL IMAGING - EARLY FILMS FROM THE NETHERLANDS-FILM-MUSEUM - THEUNIVERSITY-OF-CHICAGO, 21-22 NOVEMBER 1997

Authors: HAENNI S

Citation: S. Haenni, COLONIAL IMAGING - EARLY FILMS FROM THE NETHERLANDS-FILM-MUSEUM - THEUNIVERSITY-OF-CHICAGO, 21-22 NOVEMBER 1997, Screen (London. Print), 39(3), 1998, pp. 302-305

HOW TO STUDY TELEVISION - SELBY,K, COWDERY,R

Authors: WILLIAMSON D

Citation: D. Williamson, HOW TO STUDY TELEVISION - SELBY,K, COWDERY,R, Screen (London. Print), 39(3), 1998, pp. 306-312

MEDIA AND CULTURAL REGULATION - THOMPSON,K

Authors: DURANT A

Citation: A. Durant, MEDIA AND CULTURAL REGULATION - THOMPSON,K, Screen (London. Print), 39(3), 1998, pp. 313-318

CONSUMING TELEVISION - TELEVISION AND ITS AUDIENCE - MULLAN,B

Authors: DURANT A

Citation: A. Durant, CONSUMING TELEVISION - TELEVISION AND ITS AUDIENCE - MULLAN,B, Screen (London. Print), 39(3), 1998, pp. 313-318

HONG-KONG CINEMA - THE EXTRA DIMENSIONS - TEO,S

Authors: RODRIGUEZ H

Citation: H. Rodriguez, HONG-KONG CINEMA - THE EXTRA DIMENSIONS - TEO,S, Screen (London. Print), 39(3), 1998, pp. 319-322

THE SCORSESE CONNECTION - STERN,L

Authors: BONNIGAL D

Citation: D. Bonnigal, THE SCORSESE CONNECTION - STERN,L, Screen (London. Print), 39(3), 1998, pp. 323-326

POVERTY ROW STUDIOS, 1929-1940 - PITTS,MR

Authors: GOMERY D

Citation: D. Gomery, POVERTY ROW STUDIOS, 1929-1940 - PITTS,MR, Screen (London. Print), 39(3), 1998, pp. 327-330

THE WORLD ACCORDING TO HOLLYWOOD, 1918-1939 - VASEY,R

Authors: GOMERY D

Citation: D. Gomery, THE WORLD ACCORDING TO HOLLYWOOD, 1918-1939 - VASEY,R, Screen (London. Print), 39(3), 1998, pp. 327-330

THE SLIT EYE, THE SCORPION AND THE SIGN OF THE CROSS - SURREALIST FILM THEORY AND PRACTICE REVISITED

Authors: FOTIADE R

Citation: R. Fotiade, THE SLIT EYE, THE SCORPION AND THE SIGN OF THE CROSS - SURREALIST FILM THEORY AND PRACTICE REVISITED, Screen (London. Print), 39(2), 1998, pp. 109-123

DISTRACTION AND REDEMPTION - KRACAUER, SURREALISM AND PHENOMENOLOGY

Authors: AITKEN I

Citation: I. Aitken, DISTRACTION AND REDEMPTION - KRACAUER, SURREALISM AND PHENOMENOLOGY, Screen (London. Print), 39(2), 1998, pp. 124-140

SCREEN AS THRESHOLD - THE DISORIENTATING TOPOGRAPHIES OF SURREALIST FILM

Authors: EVERETT W

Citation: W. Everett, SCREEN AS THRESHOLD - THE DISORIENTATING TOPOGRAPHIES OF SURREALIST FILM, Screen (London. Print), 39(2), 1998, pp. 141-152

MASCULINITY IN THE SHADOW OF THE SLASHED EYE - SURREALIST FILM-CRITICISM AT THE CROSSROADS

Authors: POWRIE P

Citation: P. Powrie, MASCULINITY IN THE SHADOW OF THE SLASHED EYE - SURREALIST FILM-CRITICISM AT THE CROSSROADS, Screen (London. Print), 39(2), 1998, pp. 153-163

THE SOUNDS OF SILENCE - FONDANE,BENJAMIN AND THE CINEMA

Authors: FREEDMAN E

Citation: E. Freedman, THE SOUNDS OF SILENCE - FONDANE,BENJAMIN AND THE CINEMA, Screen (London. Print), 39(2), 1998, pp. 164-174

THE 'CRASH' DEBATE - ANAL WOUNDS, METALLIC KISSES (CRONENBERG,DAVID)

Authors: CREED B

Citation: B. Creed, THE 'CRASH' DEBATE - ANAL WOUNDS, METALLIC KISSES (CRONENBERG,DAVID), Screen (London. Print), 39(2), 1998, pp. 175-179

CRIMES OF THE FUTURE (CRONENBERG,DAVID, 'CRASH')

Authors: GRANT M

Citation: M. Grant, CRIMES OF THE FUTURE (CRONENBERG,DAVID, 'CRASH'), Screen (London. Print), 39(2), 1998, pp. 180-185

AUTOMATIC LOVER (CRONENBERG,DAVID, 'CRASH')

Authors: BOTTING F WILSON S

Citation: F. Botting et S. Wilson, AUTOMATIC LOVER (CRONENBERG,DAVID, 'CRASH'), Screen (London. Print), 39(2), 1998, pp. 186-192

REPORT ON 'WEIMAR AND THIRD REICH CINEMA, A DIFFERENT TAKE', GOETHE-INSTITUT, LONDON, NOVEMBER 1, 1997

Authors: SIEGLOHR U

Citation: U. Sieglohr, REPORT ON 'WEIMAR AND THIRD REICH CINEMA, A DIFFERENT TAKE', GOETHE-INSTITUT, LONDON, NOVEMBER 1, 1997, Screen (London. Print), 39(2), 1998, pp. 193-195

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