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Results: 26-50/270
Authors:
GIERSDORF J
Citation: J. Giersdorf, EMPIRE OF ECSTASY - NUDITY AND MOVEMENT IN GERMAN BODY CULTURE - TOEPFER,K, Theater, 28(3), 1998, pp. 108-110
Authors:
HOLDEN J
Citation: J. Holden, FOS NOBEL (FO,DARIO, THIS YEARS WINNER OF THE NOBEL-PRIZE FOR LITERATURE), Theater, 28(2), 1998, pp. 6-9
Authors:
DEHAAN C
GORDON M
Citation: C. Dehaan et M. Gordon, REMEMBERING BETWEEN THE LINES (AN INTERVIEW WITH GORDON,MEL ON THE WORK OF MEYERHOLD), Theater, 28(2), 1998, pp. 10-18
Authors:
ROACH J
Citation: J. Roach, THE FUTURE THAT WORKED (THE THEATER OF MEYERHOLD,VSEVOLOD), Theater, 28(2), 1998, pp. 19-26
Authors:
CLARK K
Citation: K. Clark, MEYERHOLDS APPROPRIATION OF GOGOL FOR 1926 IN THE SOVIET-UNION, Theater, 28(2), 1998, pp. 27-33
Authors:
PESOCHINSKY N
Citation: N. Pesochinsky, MEYERHOLD AND THE MARXIST CRITIQUE (MEYERHOLDS ARTISTIC AGENDA AND THE PARTY CULTURAL POLITICS), Theater, 28(2), 1998, pp. 34-45
Authors:
MEYERHOLD VE
Citation: Ve. Meyerhold, 1940 PETITION TO THE PRESIDENT OF THE PEOPLES COMMISSAR OF THE USSR, Theater, 28(2), 1998, pp. 46-49
Authors:
CHAMBERS D
Citation: D. Chambers, THE MASTER OF PRAXIS (MEYERHOLD,VSEVOLOD,EMILIEVICH), Theater, 28(2), 1998, pp. 50-55
Authors:
CHAMBERS D
Citation: D. Chambers, RECONSTRUCTING 'REVIZOR' - AN INTRODUCTION TO 'AFTER PENZA' (RECONSTRUCTION OF MEYERHOLDS TEXT AND DIRECTIONS FROM HIS 1926 PRODUCTION), Theater, 28(2), 1998, pp. 56-60
Authors:
GOGOL N
MEYERHOLD V
Citation: N. Gogol et V. Meyerhold, 'REVIZOR' EPISODE 4 'AFTER PENZA' (TEXT, NOTES, STAGE DIRECTIONS AND BLOCKING NOTES FOR THE ORIGINAL 1926 PERFORMANCE), Theater, 28(2), 1998, pp. 61-78
Authors:
CLURMAN H
Citation: H. Clurman, AN EXCERPT FROM THE UNPUBLISHED DIARY (FROM MAY 18, 1935, THE EVENINGOF THE PRODUCTION OF 'REVIZOR' AT THE MEYERHOLD), Theater, 28(2), 1998, pp. 79-80
Authors:
BATES M
SCHMIDT P
Citation: M. Bates et P. Schmidt, ACTING MUSIC, SCORING TEXT (AN INTERVIEW WITH SCHMIDT,PAUL ON THE VALUE OF RECONSTRUCTING MEYERHOLDS 'REVIZOR'), Theater, 28(2), 1998, pp. 81-85
Authors:
BATES M
SELLARS P
Citation: M. Bates et P. Sellars, DIRECTING A NATIONAL CONSCIOUSNESS (AN INTERVIEW WITH SELLARS,PETER), Theater, 28(2), 1998, pp. 86-90
Authors:
MUNK E
Citation: E. Munk, REPORT FROM ISTANBUL - THE MEETING OF EAST AND WEST (HIGHLIGHTS OF THE ISTANBUL-THEATER-FESTIVAL), Theater, 28(2), 1998, pp. 91-95
Authors:
SOLOMON A
Citation: A. Solomon, THEATER IN ISRAEL - BENZVI,L, Theater, 28(2), 1998, pp. 96-98
Authors:
KALB J
Citation: J. Kalb, BECKETT,SAMUEL - THE LAST MODERNIST - CRONIN,A, Theater, 28(2), 1998, pp. 98-100
Authors:
SCHECHTER J
Citation: J. Schechter, CLOWN SCENES - REMY,T, Theater, 28(2), 1998, pp. 100-102
Authors:
MILLER JG
Citation: Jg. Miller, WEST-AFRICAN POPULAR THEATER - BARBER,K, COLLINS,J, RICARD,A, Theater, 28(2), 1998, pp. 102-104
Authors:
ROBINSON M
Citation: M. Robinson, FOREMAN,RICHARD LOSES HIS HEAD + THEATER, CRITICS, 'PEARLS FOR PIGS', Theater, 28(1), 1997, pp. 5-14
Authors:
GARRETT SM
Citation: Sm. Garrett, DUMMIED DOWN - 'PEARLS FOR PIGS' AT THE HARTFORD STAGE( FOREMAN,RICHARD ), Theater, 28(1), 1997, pp. 15-21
Authors:
BERNSTEIN C
DANTO A
LOTRINGER S
MICHELSON A
FOREMAN R
Citation: C. Bernstein et al., BEYOND SENSE AND NONSENSE - PERSPECTIVES ON THE ONTOLOGICAL AT 30( THEMES, FOREMAN,RICHARD, MODERN AMERICAN THEATER ), Theater, 28(1), 1997, pp. 22-34
Authors:
FOREMAN R
Citation: R. Foreman, 'PEARLS FOR PIGS', Theater, 28(1), 1997, pp. 35-57
Authors:
OJEWUYI O
Citation: O. Ojewuyi, SOYINKA,WOLE - THE HUNTER, THE HUNT( THEATER, NIGERIA, AFRICA ), Theater, 28(1), 1997, pp. 58-59
Authors:
GARRETT SM
OJEWUYI O
Citation: Sm. Garrett et O. Ojewuyi, A WORLD OF AMUSEMENT AND PITY - SOYINKA,WOLE INTERVIEWED( THEATER, NIGERIA, AFRICA ), Theater, 28(1), 1997, pp. 60-68
Authors:
LESTER G
Citation: G. Lester, INDUSTRIAL ART - THE THEATER OF VINAVER,MICHEL( WITH SELECT BIBLIOGRAPHY ), Theater, 28(1), 1997, pp. 69-73