AAAAAA
Results: 76-100/270
Authors:
DAVIDIAN B
Citation: B. Davidian, THE PERFORMANCE OF PATRIOTISM - INFILTRATION AND IDENTITY AT THE END OF THE WORLD, Theater, 27(1), 1996, pp. 7-28
Authors:
SELLAR T
Citation: T. Sellar, TRUTH AND DARE - KANE,SARAH 'BLASTED', Theater, 27(1), 1996, pp. 29-34
Authors:
KANE S
Citation: S. Kane, 'BLASTED', Theater, 27(1), 1996, pp. 35-64
Authors:
KALB J
Citation: J. Kalb, ON THE BECOMING DEATH OF POOR MULLER,HEINER, Theater, 27(1), 1996, pp. 65-73
Authors:
TABORI G
Citation: G. Tabori, THE 'KISS', Theater, 27(1), 1996, pp. 74-74
Authors:
KLAIC D
Citation: D. Klaic, A PEEK OUT OF SUBSIDY LAND + THE CHALLENGES FACING THE EUROPEAN PERFORMING ARTS, Theater, 27(1), 1996, pp. 75-82
Authors:
BRUSTEIN R
NOVAK P
SELLAR T
MALINA J
FIELD T
ACKER K
AUSLANDER P
DOLAN J
Citation: R. Brustein et al., ON MONEY + MONEY AND THE THEATER, Theater, 27(1), 1996, pp. 83-98
Authors:
HAMLIN S
MANN E
Citation: S. Hamlin et E. Mann, OUT OF DANGER - MANN,EMILY, INTERVIEWED, Theater, 27(1), 1996, pp. 99-101
Authors:
MCNULTY C
Citation: C. Mcnulty, STAGING PLACE - THE GEOGRAPHY OF MODERN DRAMA - CHAUDHURI,U, Theater, 27(1), 1996, pp. 102-104
Authors:
RABETZ SR
Citation: Sr. Rabetz, SHAKESPEARE IN PRODUCTION - WHOSE HISTORY - COURSEN,HR, Theater, 27(1), 1996, pp. 104-106
Authors:
KAPLAN C
Citation: C. Kaplan, THEATER IN SOUTH-AFRICA - AN EXCHANGE - COMMENT, Theater, 26(3), 1996, pp. 5-6
Authors:
BLECHER H
Citation: H. Blecher, THEATER IN SOUTH-AFRICA - AN EXCHANGE - COMMENT, Theater, 26(3), 1996, pp. 6-7
Authors:
KRUGER L
Citation: L. Kruger, THEATER IN SOUTH-AFRICA - AN EXCHANGE - REPLY, Theater, 26(3), 1996, pp. 8-8
Authors:
PARKS SL
FIELD T
Citation: Sl. Parks et T. Field, PLAYING WITH INDETERMINACY - FIELD,THALIA INTERVIEWED, Theater, 26(3), 1996, pp. 9-10
Authors:
FIELD T
Citation: T. Field, 'HEY-STOP-THAT, A LESBIAN BUFFOON SHOW OR AN INDETERMINATE NUCLEAR WAR FOR BEGINNERS', Theater, 26(3), 1996, pp. 11-24
Authors:
WELLMAN M
SCHMIDT P
Citation: M. Wellman et P. Schmidt, EDGES OF LANGUAGE - SCHMIDT,PAUL INTERVIEWED, Theater, 26(3), 1996, pp. 25-26
Authors:
SCHMIDT P
Citation: P. Schmidt, 'ALICE', Theater, 26(3), 1996, pp. 27-50
Authors:
MUNK E
CAJAL OH
Citation: E. Munk et Oh. Cajal, WORD MIGRATIONS - CAJAL,OANA,HOCK INTERVIEWED, Theater, 26(3), 1996, pp. 51-52
Authors:
CAJAL OH
Citation: Oh. Cajal, 'BERLIN BERLIN', Theater, 26(3), 1996, pp. 53-84
Authors:
SHEEHY C
Citation: C. Sheehy, PLATINUM PARADOX + HECHT FOWLER THE 'GREAT MAGOO' - THE DIFFICULTIES,NOT TO SAY IMPOSSIBILITIES, OF RESUSCITATING THE BEST AMERICAN PLAY EVER WRITTEN/, Theater, 26(3), 1996, pp. 85-94
Authors:
KLAIC D
Citation: D. Klaic, PLAYWRITING IN EUROPE - A VIEW FROM THE OTHER SIDE, Theater, 26(3), 1996, pp. 95-98
Authors:
MCDONALD M
Citation: M. Mcdonald, IN AND OUT OF THE MIND - GREEK IMAGES OF THE TRAGIC SELF - PADEL,R, Theater, 26(3), 1996, pp. 99-103
Authors:
MCDONALD M
Citation: M. Mcdonald, WHOM GODS DESTROY - ELEMENTS OF GREEK AND TRAGIC MADNESS - PADEL,R, Theater, 26(3), 1996, pp. 99-103
Authors:
SELLAR T
Citation: T. Sellar, 'SCIENTIFIC AMERICANS' - MIGHTON,J, Theater, 26(3), 1996, pp. 103-108
Authors:
SELLAR T
Citation: T. Sellar, THE 'TOWER' - MAGUIRE,M, Theater, 26(3), 1996, pp. 103-108