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Results: 1-25/161
Authors:
EGAN G
Citation: G. Egan, GEOMETRICAL HINGES AND THE FRONS-SCENAE OF THE GLOBE (STAGECRAFT, HISTORY, SHAKESPEARE), Theatre notebook, 52(2), 1998, pp. 62-64
Authors:
SCALA A
Citation: A. Scala, A SMOCK ALLEY PROMPT BOOK FOR 'TYRANNICK LOVE' (DRYDEN,JOHN, 17TH-CENTURY THEATRICAL PRODUCTION), Theatre notebook, 52(2), 1998, pp. 65-90
Authors:
ROGERSON M
Citation: M. Rogerson, ENGLISH PUPPETS AND THE SURVIVAL OF RELIGIOUS THEATER, Theatre notebook, 52(2), 1998, pp. 91-111
Authors:
LEVITT J
Citation: J. Levitt, LONDON ACTORS IN THE 1740S-1760S - THE EVIDENCE OF BAKER,ROBERT, Theatre notebook, 52(2), 1998, pp. 111-114
Authors:
STERN T
Citation: T. Stern, THE 'GREEN ROOM SCUFFLE' (HISTORY OF A BRITISH-LIBRARY PRINT), Theatre notebook, 52(2), 1998, pp. 115-115
Authors:
STOCKWELL A
Citation: A. Stockwell, FURTHER NEWS ON THE OLD MALT-CROSS-MUSIC-HALL RESTORATION, Theatre notebook, 52(2), 1998, pp. 115-115
Authors:
THOMAS D
Citation: D. Thomas, RESTORATION THEATER AND CRISIS - OWEN,SJ, Theatre notebook, 52(2), 1998, pp. 116-116
Authors:
HOWELLMERI MA
Citation: Ma. Howellmeri, DAVIES BEAR-BAITING RING, 1663 - THE HOPE RESTORED (17TH-CENTURY ENGLAND, ENTERTAINMENT HISTORY), Theatre notebook, 52(1), 1998, pp. 2-7
Authors:
KLEPAC RL
Citation: Rl. Klepac, THE MACKLIN-GARRICK RIOTS (18TH-CENTURY LONDON, THEATER HISTORY), Theatre notebook, 52(1), 1998, pp. 8-17
Authors:
SPEAIGHT G
Citation: G. Speaight, NEW LIGHT ON 'MOTHER GOOSE' (ENGLISH THEATER HISTORY, PANTOMIME), Theatre notebook, 52(1), 1998, pp. 18-23
Authors:
BRENNA D
Citation: D. Brenna, DIBDINPITT,GEORGE - ACTOR AND PLAYWRIGHT (VICTORIAN ENGLAND, THEATER HISTORY), Theatre notebook, 52(1), 1998, pp. 24-37
Authors:
WILMORE D
Citation: D. Wilmore, THE SUBSTAGE EQUIPMENT AT HER-MAJESTY-THEATER, LONDON (19TH-CENTURY LONDON, THEATER HISTORY, TECHNICAL), Theatre notebook, 52(1), 1998, pp. 38-45
Authors:
EARL J
Citation: J. Earl, KING,DONALD, VOCALIST AND LECTURER (19TH-CENTURY ENGLAND, ENTERTAINMENT), Theatre notebook, 52(1), 1998, pp. 46-46
Authors:
TEARLE J
Citation: J. Tearle, EXTRAS AT THE ROYAL-SHAKESPEARE-THEATER (19TH-CENTURY ENGLISH THEATERHISTORY), Theatre notebook, 52(1), 1998, pp. 46-47
Citation: ADDITIONS TO ARCHIVES (DRAMA AND PERFORMING ARTS, HISTORY), Theatre notebook, 52(1), 1998, pp. 48-49
Authors:
FOAKES RA
Citation: Ra. Foakes, SHAKESPEARE GLOBE REBUILT - MULRYNE,JR, SHEWRING,M, Theatre notebook, 52(1), 1998, pp. 51-53
Authors:
STOKES J
Citation: J. Stokes, ENGLISH DRAMA OF THE EARLY-MODERN PERIOD 1890-1940 - CHOTHIA,J, Theatre notebook, 52(1), 1998, pp. 53-55
Authors:
GRANTLEY D
Citation: D. Grantley, RECORDS OF EARLY ENGLISH DRAMA - SOMERSET - STOKES,J, ALEXANDER,R, Theatre notebook, 52(1), 1998, pp. 55-56
Authors:
SPEAIGHT G
Citation: G. Speaight, A HISTORY OF EUROPEAN PUPPETRY - JURKOWSKI,H, Theatre notebook, 52(1), 1998, pp. 56-57
Authors:
STOKES J
Citation: J. Stokes, THE BERNHARDT 'HAMLET' - CULTURE AND CONTEXT - TARANOW,G, Theatre notebook, 52(1), 1998, pp. 57-58
Citation: SANDS,MOLLIE 1904-1998 - IN-MEMORIAM, Theatre notebook, 52(1), 1998, pp. 60-60
Authors:
STERN T
Citation: T. Stern, WAS TOTUS-MUNDUS-AGIT-HISTRIONEM EVER THE MOTTO OF THE GLOBE-THEATER -CENTURY BRITISH THEATER( SHAKESPEARE, 16TH), Theatre notebook, 51(3), 1997, pp. 122-127
Authors:
JORDAN R
Citation: R. Jordan, THE GEORGIAN THEATER IN SYDNEY - SOME FACTS AND PROBLEMS( THE 'RECRUITING OFFICER', AUSTRALIAN COLONIAL HISTORY, CONVICTS ), Theatre notebook, 51(3), 1997, pp. 128-146
Authors:
MILHOUS J
HUME RD
Citation: J. Milhous et Rd. Hume, DOGGETT,THOMAS AT CAMBRIDGE IN 1701 -CENTURY BRITAIN( STROLLING THEATER COMPANIES IN 18TH), Theatre notebook, 51(3), 1997, pp. 147-165
Authors:
BURLING WJ
Citation: Wj. Burling, AN UNKNOWN BACKSTAGE PAINTING -CENTURY, 19TH-CENTURY BRITISH ART - NIXON A 'PEEP BEHIND THE SCENES, COVENT GARDEN THEATRE'( LONDON THEATERS, 18TH), Theatre notebook, 51(3), 1997, pp. 166-169