Citation: G. Armstrong, CIVIL-WAR AND CIVIL DISCORD - THEATRICAL REPRESENTATION OF THE COMMONWILL AND THE SINGLE HEART IN THE TERRIBLE CENTURY, Theatre research international, 23(1), 1998, pp. 1-6
Citation: C. Macgregor, UNDOING THE BODY-POLITIC - REPRESENTING RAPE IN 'WOMEN BEWARE WOMEN' (MIDDLETON,THOMAS TRAGEDY), Theatre research international, 23(1), 1998, pp. 14-23
Citation: D. Lafon, FROM BEHIND THE SCENES OF HISTORY TO BACK STAGE AT THE THEATER - QUEBECOIS DRAMATURGY AND THE OCTOBER CRISIS, Theatre research international, 23(1), 1998, pp. 24-37
Citation: J. Mccarthy, MILITANT MARIONETTES - 2 LOST PUPPET PLAYS OF THE SPANISH-CIVIL-WAR, 1936-39, Theatre research international, 23(1), 1998, pp. 44-50
Citation: Mx. Zelenak, THE TROUBLESOME REIGN OF KING OEDIPUS - CIVIC DISCOURSE AND CIVIL DISCORD IN GREEK TRAGEDY, Theatre research international, 23(1), 1998, pp. 69-78
Citation: R. Axton, EARLY CAMBRIDGE THEATERS - COLLEGE, UNIVERSITY AND TOWN STAGES, 1454-1720 - NELSON,AH, Theatre research international, 23(1), 1998, pp. 79-79
Citation: Am. Taylor, KROETZ,FRANZ,XAVIER - THE CONSTRUCTION OF A POLITICAL AESTHETIC - MATTSON,M, Theatre research international, 23(1), 1998, pp. 83-84
Citation: D. Meyerdinkgrafe, CONSCIOUSNESS, LITERATURE AND THEATER - THEORY AND BEYOND - MALEKIN,P, YARROW,R, Theatre research international, 23(1), 1998, pp. 84-85
Citation: Lj. Wolf, FEMINIST STAGES - INTERVIEWS WITH WOMEN IN CONTEMPORARY BRITISH THEATER - GOODMAN,L, Theatre research international, 23(1), 1998, pp. 88-89
Citation: De. Heddon, PUTTING YOUR DAUGHTERS ON THE STAGE - LESBIAN THEATER FROM THE 1970S TO THE 1990S - FREEMAN,S, Theatre research international, 23(1), 1998, pp. 89-89
Citation: D. Shellard, DRAMA ON DRAMA - DIMENSIONS OF THEATRICALITY ON THE CONTEMPORARY BRITISH STAGE - BOIREAU,N, Theatre research international, 23(1), 1998, pp. 89-90
Citation: M. Wallis, FROM ACTING TO PERFORMANCE - ESSAYS IN MODERNISM AND POSTMODERNISM - AUSLANDER,P, Theatre research international, 23(1), 1998, pp. 90-91