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Table of contents of journal: *Theatre research international

Results: 26-50/467

Authors: DIEHL HA
Citation: Ha. Diehl, MOURNING SEX - PERFORMING PUBLIC MEMORIES - PHELAN,P, Theatre research international, 23(1), 1998, pp. 91-92

Authors: ERENSTEIN RL
Citation: Rl. Erenstein, THEATER ICONOGRAPHY - AN INTRODUCTION, Theatre research international, 22(3), 1997, pp. 185-189

Authors: BALME CB
Citation: Cb. Balme, INTERPRETING THE PICTORIAL RECORD - THEATER ICONOGRAPHY AND THE REFERENTIAL DILEMMA, Theatre research international, 22(3), 1997, pp. 190-201

Authors: HUMMELEN WMH
Citation: Wmh. Hummelen, DOUBTFUL IMAGES (ILLUSTRATIONS OF STAGE PERFORMANCES), Theatre research international, 22(3), 1997, pp. 202-218

Authors: HOLM B
Citation: B. Holm, PICTURE AND COUNTER-PICTURE - AN ATTEMPT TO INVOLVE CONTEXT IN THE INTERPRETATION OF THEATER-ITALIEN ICONOGRAPHY, Theatre research international, 22(3), 1997, pp. 219-233

Authors: ALIVERTI MI
Citation: Mi. Aliverti, MAJOR PORTRAITS AND MINOR SERIES IN 18TH-CENTURY THEATRICAL PORTRAITURE, Theatre research international, 22(3), 1997, pp. 234-254

Authors: SENELICK L
Citation: L. Senelick, EARLY PHOTOGRAPHIC ATTEMPTS TO RECORD PERFORMANCE SEQUENCE, Theatre research international, 22(3), 1997, pp. 255-264

Authors: BURNETT MT
Citation: Mt. Burnett, SHAKESPEARE AND NATIONAL CULTURE - JOUGHIN,JJ, Theatre research international, 22(3), 1997, pp. 265-266

Authors: DMONTE R
Citation: R. Dmonte, ENGLISH DRAMA - A CULTURAL HISTORY - SHEPHERD,S, WOMACK,P, Theatre research international, 22(3), 1997, pp. 265-265

Authors: DMONTE R
Citation: R. Dmonte, WOMEN READING SHAKESPEARE, 1660-1900 - AN ANTHOLOGY OF CRITICISM - THOMPSON,A, ROBERTS,S, Theatre research international, 22(3), 1997, pp. 266-267

Authors: SEBEK B
Citation: B. Sebek, THE TRICK OF SINGULARITY - 'TWELFTH NIGHT' AND THE PERFORMANCE - OSBORNE,LE, Theatre research international, 22(3), 1997, pp. 267-268

Authors: WILCOX D
Citation: D. Wilcox, MEYERHOLD, EISENSTEIN AND BIOMECHANICS - ACTOR TRAINING IN REVOLUTIONARY RUSSIA - LAW,A, GORDON,M, Theatre research international, 22(3), 1997, pp. 268-269

Authors: MUMFORD M
Citation: M. Mumford, GERMAN THEATER - A BIBLIOGRAPHY FROM THE BEGINNINGS TO 1995 - PATTERSON,M, Theatre research international, 22(3), 1997, pp. 269-270

Authors: MEECH T
Citation: T. Meech, FASCISM AND THEATER - BERGHAUS,G, Theatre research international, 22(3), 1997, pp. 270-271

Authors: COSDON M
Citation: M. Cosdon, THE NEW AMERICAN CIRCUS - ALBRECHT,E, Theatre research international, 22(3), 1997, pp. 271-272

Authors: MAKEHAM P
Citation: P. Makeham, CHALLENGING THE CENTER - 2 DECADES OF POLITICAL THEATER - CAPELIN,S, Theatre research international, 22(3), 1997, pp. 272-273

Authors: SCULLION A
Citation: A. Scullion, THE POLITICS OF ALTERNATIVE THEATER IN BRITAIN, 1958-1990 - THE CASE OF 7 84 (SCOTLAND) - DICENZO,M/, Theatre research international, 22(3), 1997, pp. 273-274

Authors: RAVIV Z
Citation: Z. Raviv, THEATER IN ISRAEL - BENZVI,L, Theatre research international, 22(3), 1997, pp. 274-275

Authors: SCHAUFFER D
Citation: D. Schauffer, THEATER AND CHANGE IN SOUTH-AFRICA - DAVIS,GV, FUCHS,A, Theatre research international, 22(3), 1997, pp. 275-275

Authors: KRASNER D
Citation: D. Krasner, DIGGING THE AFRICANIST PRESENCE IN AMERICAN PERFORMANCE - DANCE AND OTHER CONTEXTS - DIXON,B, Theatre research international, 22(3), 1997, pp. 276-277

Authors: HEDDON DE
Citation: De. Heddon, A SOURCE-BOOK OF FEMINIST THEATER AND PERFORMANCE - ON AND BEYOND THESTAGE - MARTIN,C, Theatre research international, 22(3), 1997, pp. 277-279

Authors: PRICE A
Citation: A. Price, POSTCOLONIAL DRAMA - THEORY, PRACTICE, POLITICS - GILBERT,H, TOMPKINS,J, Theatre research international, 22(3), 1997, pp. 277-277

Authors: EISEN K
Citation: K. Eisen, CITIES OF THE DEAD - CIRCUM-ATLANTIC PERFORMANCE - ROACH,J, Theatre research international, 22(3), 1997, pp. 279-280

Authors: SINGLETON B
Citation: B. Singleton, THE PURSUIT OF OTHERNESS FOR THE INVESTIGATION OF SELF - INTRODUCTION, Theatre research international, 22(2), 1997, pp. 93-97

Authors: SHEVTSOVA M
Citation: M. Shevtsova, INTERCULTURALISM, AESTHETICISM, ORIENTALISM - STARTING FROM BROOK,PETER 'MAHABHARATA', Theatre research international, 22(2), 1997, pp. 98-104
Risultati: 1-25 | 26-50 | 51-75 | 76-100 | >>