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Table of contents of journal: *Theatre research international

Results: 51-75/467
DISRUPTIONS IN REPRESENTATION - BOGART,ANNE CREATIVE ENCOUNTER WITH EAST-ASIAN PERFORMANCE TRADITIONS
Authors: LAMPE E
Citation: E. Lampe, DISRUPTIONS IN REPRESENTATION - BOGART,ANNE CREATIVE ENCOUNTER WITH EAST-ASIAN PERFORMANCE TRADITIONS, Theatre research international, 22(2), 1997, pp. 105-110
LES OPERA-PARFUMES, ASPECTS OF ORIENTALISM IN 19TH-CENTURY FRENCH OPERA
Authors: DIETRICH C
Citation: C. Dietrich, LES OPERA-PARFUMES, ASPECTS OF ORIENTALISM IN 19TH-CENTURY FRENCH OPERA, Theatre research international, 22(2), 1997, pp. 111-119
THE STRANGE AND THE FAMILIAR - INTERCULTURAL EXCHANGE BETWEEN AFRICANAND CARIBBEAN THEATER
Authors: OKAGBUE O
Citation: O. Okagbue, THE STRANGE AND THE FAMILIAR - INTERCULTURAL EXCHANGE BETWEEN AFRICANAND CARIBBEAN THEATER, Theatre research international, 22(2), 1997, pp. 120-129
'ORIENTALIA', ORIENTALISM, AND THE PEKING-OPERA ARTIST AS SUBJECT IN CONTEMPORARY AUSTRALIAN PERFORMANCE
Authors: SUSSMAN S DAY T
Citation: S. Sussman et T. Day, 'ORIENTALIA', ORIENTALISM, AND THE PEKING-OPERA ARTIST AS SUBJECT IN CONTEMPORARY AUSTRALIAN PERFORMANCE, Theatre research international, 22(2), 1997, pp. 130-149
THINKING THROUGH VEILS - QUESTIONS OF CULTURE, CRITICISM AND THE BODY
Authors: DOX D
Citation: D. Dox, THINKING THROUGH VEILS - QUESTIONS OF CULTURE, CRITICISM AND THE BODY, Theatre research international, 22(2), 1997, pp. 150-161
PANIKKAR,K.N. 'TEYYATEYYAM' - RESISTING INTERCULTURALISM THROUGH RITUAL PRACTICE
Authors: SINGLETON B
Citation: B. Singleton, PANIKKAR,K.N. 'TEYYATEYYAM' - RESISTING INTERCULTURALISM THROUGH RITUAL PRACTICE, Theatre research international, 22(2), 1997, pp. 162-169
WINTER FRUIT - ENGLISH DRAMA 1642-1660 - RANDALL,DBJ
Authors: DIRCKS PT
Citation: Pt. Dircks, WINTER FRUIT - ENGLISH DRAMA 1642-1660 - RANDALL,DBJ, Theatre research international, 22(2), 1997, pp. 170-171
SHAKESPEARE IN PRODUCTION - WHOSE HISTORY - COURSEN,HR
Authors: BERRY R
Citation: R. Berry, SHAKESPEARE IN PRODUCTION - WHOSE HISTORY - COURSEN,HR, Theatre research international, 22(2), 1997, pp. 171-172
SHAKESPEARE, THEORY, AND THE PERFORMANCE - BULMAN,JC
Authors: MANGAN M
Citation: M. Mangan, SHAKESPEARE, THEORY, AND THE PERFORMANCE - BULMAN,JC, Theatre research international, 22(2), 1997, pp. 172-172
THEATER IN VIENNA - A CRITICAL HISTORY 1776-1995 - YATES,WE
Authors: MURPHY H
Citation: H. Murphy, THEATER IN VIENNA - A CRITICAL HISTORY 1776-1995 - YATES,WE, Theatre research international, 22(2), 1997, pp. 172-173
THE CORRESPONDENCE OF CRAIG,EDWARD,GORDON AND COUNT KESSLER,HARRY - NEWMAN,LM
Authors: FISHER J
Citation: J. Fisher, THE CORRESPONDENCE OF CRAIG,EDWARD,GORDON AND COUNT KESSLER,HARRY - NEWMAN,LM, Theatre research international, 22(2), 1997, pp. 173-174
THE WORLD OF BECKETT,SAMUEL 1906-1946 - GORDON,L
Authors: LONDRE FH
Citation: Fh. Londre, THE WORLD OF BECKETT,SAMUEL 1906-1946 - GORDON,L, Theatre research international, 22(2), 1997, pp. 174-175
HAMPTON,CHRISTOPHER - DRAMATIC IRONIST - FRANCIS,B
Authors: WILCHER R
Citation: R. Wilcher, HAMPTON,CHRISTOPHER - DRAMATIC IRONIST - FRANCIS,B, Theatre research international, 22(2), 1997, pp. 175-176
GUIDING THE PLOT - POLITICS AND FEMINISM IN THE WORK OF WOMEN PLAYWRIGHTS FROM SPAIN AND ARGENTINA - WITTE,A
Authors: WRIGHT S
Citation: S. Wright, GUIDING THE PLOT - POLITICS AND FEMINISM IN THE WORK OF WOMEN PLAYWRIGHTS FROM SPAIN AND ARGENTINA - WITTE,A, Theatre research international, 22(2), 1997, pp. 176-176
WOMEN IN DRAMATIC PLACE AND TIME - CONTEMPORARY FEMALE CHARACTERS ON STAGE - COUSIN,G
Authors: WOLF LJ
Citation: Lj. Wolf, WOMEN IN DRAMATIC PLACE AND TIME - CONTEMPORARY FEMALE CHARACTERS ON STAGE - COUSIN,G, Theatre research international, 22(2), 1997, pp. 176-177
A POLITIC THEATER - THE DRAMA OF HARE,DAVID - FRASER,S
Authors: WILCHER R
Citation: R. Wilcher, A POLITIC THEATER - THE DRAMA OF HARE,DAVID - FRASER,S, Theatre research international, 22(2), 1997, pp. 177-178
SCOTTISH THEATER SINCE THE 70S - STEVENSON,R, WALLACE,G
Authors: SCULLION A
Citation: A. Scullion, SCOTTISH THEATER SINCE THE 70S - STEVENSON,R, WALLACE,G, Theatre research international, 22(2), 1997, pp. 178-179
SIGNS OF PERFORMANCE - AN INTRODUCTION TO 20TH-CENTURY THEATER - COUNSELL,C
Authors: ASTON E
Citation: E. Aston, SIGNS OF PERFORMANCE - AN INTRODUCTION TO 20TH-CENTURY THEATER - COUNSELL,C, Theatre research international, 22(2), 1997, pp. 178-178
ANALYZING PERFORMANCE - A CRITICAL READER - CAMPBELL,P
Authors: WALLIS M
Citation: M. Wallis, ANALYZING PERFORMANCE - A CRITICAL READER - CAMPBELL,P, Theatre research international, 22(2), 1997, pp. 179-181
AN INTRODUCTION TO POSTCOLONIAL THEATER - CROW,B
Authors: PRICE A
Citation: A. Price, AN INTRODUCTION TO POSTCOLONIAL THEATER - CROW,B, Theatre research international, 22(2), 1997, pp. 181-182
INTRODUCTION - TOWARDS THEATRICAL COMMUNICATION
Authors: MORI M
Citation: M. Mori, INTRODUCTION - TOWARDS THEATRICAL COMMUNICATION, Theatre research international, 22(1), 1997, pp. 1-3
APPROACHING THE THEATRICAL EVENT - THE INFLUENCE OF SEMIOTICS AND HERMENEUTICS ON EUROPEAN THEATER STUDIES
Authors: SAUTER W
Citation: W. Sauter, APPROACHING THE THEATRICAL EVENT - THE INFLUENCE OF SEMIOTICS AND HERMENEUTICS ON EUROPEAN THEATER STUDIES, Theatre research international, 22(1), 1997, pp. 4-13
NOH, KABUKI AND WESTERN THEATER - AN ATTEMPT OF SCHEMATIZING ACTING STYLES
Authors: MORI M
Citation: M. Mori, NOH, KABUKI AND WESTERN THEATER - AN ATTEMPT OF SCHEMATIZING ACTING STYLES, Theatre research international, 22(1), 1997, pp. 14-21
PERFORMANCE ART AND RITUAL - BODIES IN PERFORMANCE
Authors: FISCHERLICHTE E
Citation: E. Fischerlichte, PERFORMANCE ART AND RITUAL - BODIES IN PERFORMANCE, Theatre research international, 22(1), 1997, pp. 22-37
THE ARISTOTELIAN THEATRICAL PARADIGM AS CULTURAL-HISTORICAL CONSTRUCT
Authors: VINCE R
Citation: R. Vince, THE ARISTOTELIAN THEATRICAL PARADIGM AS CULTURAL-HISTORICAL CONSTRUCT, Theatre research international, 22(1), 1997, pp. 38-47
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