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Results: 126-150/467
Authors:
POULTER C
Citation: C. Poulter, THE RAINBOW OF DESIRE - THE BOAL METHOD OF THEATER AND THERAPY - BOAL,A, Theatre research international, 21(3), 1996, pp. 272-273
Authors:
SINGLETON B
Citation: B. Singleton, UNDERSTANDING THEATER - PERFORMANCE ANALYSIS IN THEORY AND PRACTICE -MARTIN,J, SAUTER,W, Theatre research international, 21(3), 1996, pp. 273-274
Authors:
EISEN K
Citation: K. Eisen, IMPERIALISM AND THEATER - ESSAYS ON WORLD THEATER, DRAMA AND PERFORMANCE - GAINOR,JE, Theatre research international, 21(3), 1996, pp. 274-275
Authors:
HUGHES A
Citation: A. Hughes, COMIC STAGES IN MAGNA-GRAECIA - THE EVIDENCE OF THE VASES, Theatre research international, 21(2), 1996, pp. 95-107
Authors:
KATRITZKY MA
Citation: Ma. Katritzky, 8 PORTRAITS OF GELOSI ACTORS IN 1589, Theatre research international, 21(2), 1996, pp. 108-120
Authors:
NICHOLSON S
Citation: S. Nicholson, NOBODY WAS READY FOR THAT -CHAMBERLAIN-OFFICE HIGHLIGHTED IN THE PAGES OF THE FESTIVAL-THEATER-REVIEW - THE GROSS IMPERTINENCE OF GRAY,TERENCE AND THE DEGRADATION OF DRAMA( THE CORRESPONDENCE BETWEEN GRAY,TERENCE AND THE LORD), Theatre research international, 21(2), 1996, pp. 121-131
Authors:
KRUGER L
Citation: L. Kruger, ACTING AFRICA + SOUTH-AFRICAN THEATER, Theatre research international, 21(2), 1996, pp. 132-140
Authors:
KOMOROWSKI J
Citation: J. Komorowski, SHAKESPEARE AND THE BIRTH OF POLISH ROMANTICISM - VILNA 1786-1846, Theatre research international, 21(2), 1996, pp. 141-146
Authors:
FIK M
Citation: M. Fik, SHAKESPEARE IN POLAND, 1918-1989 + AN OVERVIEW OF THEATER PRODUCTIONSWITH SPECIAL REFERENCE TO THE ACTORS, DIRECTORS AND SCENOGRAPHERS, Theatre research international, 21(2), 1996, pp. 147-156
Authors:
WALASZEK J
Citation: J. Walaszek, SWINARSKI,KONRAD 'MIDSUMMER NIGHTS DREAM', Theatre research international, 21(2), 1996, pp. 157-163
Authors:
KRAKOWSKA J
Citation: J. Krakowska, SHAKESPEARE PARADOXICAL VICTORY - THE 1990S( APPROACHES TO STAGING THE TEXTS IN POLAND ), Theatre research international, 21(2), 1996, pp. 164-170
Authors:
HALL E
Citation: E. Hall, ARISTOPHANES - AN AUTHOR FOR THE STAGE - RUSSO,CF, Theatre research international, 21(2), 1996, pp. 171-171
Authors:
BURNETT MT
Citation: Mt. Burnett, THE THEATRICAL CITY - CULTURE, THEATER AND POLITICS IN LONDON, 1576-1649 - SMITH,DL, STRIER,R, BEVINGTON,D, Theatre research international, 21(2), 1996, pp. 171-172
Authors:
SENELICK L
Citation: L. Senelick, GENDER IN PLAY ON THE SHAKESPEAREAN STAGE - BOY HEROINES AND FEMALE PAGES - SHAPIRO,M, Theatre research international, 21(2), 1996, pp. 172-173
Authors:
SEBEK B
Citation: B. Sebek, SOCIAL SHAKESPEARE - ASPECTS OF RENAISSANCE DRAMATURGY AND CONTEMPORARY SOCIETY - SMITH,PJ, Theatre research international, 21(2), 1996, pp. 173-174
Authors:
RABEY DI
Citation: Di. Rabey, SHAKESPEARE IN PERFORMANCE - 'HAMLET' - DAWSON,AB, Theatre research international, 21(2), 1996, pp. 174-175
Authors:
BAUGH C
Citation: C. Baugh, THE STAGE DESIGNS OF JONES,INIGO - THE EUROPEAN CONTEXT - PEACOCK,J, Theatre research international, 21(2), 1996, pp. 175-176
Authors:
SCULLION A
Citation: A. Scullion, MELODRAMA AND THE MYTH OF AMERICA - MASON,JD, Theatre research international, 21(2), 1996, pp. 176-177
Authors:
BERGHAUS G
Citation: G. Berghaus, FULLER,LOIE - DANSER OF BELLE-EPOQUE PARIS - FRENCH - LISTA,G, Theatre research international, 21(2), 1996, pp. 177-178
Authors:
MILLER JY
Citation: Jy. Miller, PINOCCHIO PROGENY - PUPPETS, MARIONETTES, AND ROBOTS IN MODERNIST ANDAVANT-GARDE DRAMA - SEGAL,HB, Theatre research international, 21(2), 1996, pp. 178-179
Authors:
ZIKE D
Citation: D. Zike, 'LOVE GOES TO PRESS' (A COMEDY IN 3 ACTS) - GELLHORN,M, COWLES,V, Theatre research international, 21(2), 1996, pp. 180-180
Authors:
COMBS R
Citation: R. Combs, VAST ENCYCLOPEDAI - THE THEATER OF WILDER,THORNTON - LIFTON,P, Theatre research international, 21(2), 1996, pp. 180-181
Authors:
BASSNETT S
Citation: S. Bassnett, THEATER AND SIGNIFICATION - FRENCH - KOWZAN,T, Theatre research international, 21(2), 1996, pp. 181-182
Authors:
NICHOLSON S
Citation: S. Nicholson, BRITISH REALIST THEATER - THE NEW-WAVE IN ITS CONTEXT 1956-1965 - LACEY,S, Theatre research international, 21(2), 1996, pp. 181-181
Authors:
BASSNETT S
Citation: S. Bassnett, THEATER SEMIOTICS - FRENCH - KOWZAN,T, Theatre research international, 21(2), 1996, pp. 181-182