Citation: M. Mcgowan, TOPICS IN THEATER STUDIES - GERMAN - FISCHERLICHTE,E, GREISENEGGER,W,LEHMANN,HT, Theatre research international, 21(2), 1996, pp. 183-183
Citation: Af. Sponberg, THE ACTOR SPEAKS - ACTORS DISCUSS THEIR EXPERIENCES AND CAREERS - JEFFRI,J, Theatre research international, 21(2), 1996, pp. 185-186
Citation: N. Warrington, THE PLAYWRIGHTS ART - CONVERSATIONS WITH CONTEMPORARY AMERICAN DRAMATISTS - BRYER,JR, Theatre research international, 21(2), 1996, pp. 186-187
Citation: H. Peters, CULTURAL IDENTITIES - INTRODUCTION( POLITICAL THEATER AND INTERCULTURAL STUDIES AND ANTHROPOLOGY AS THESE RELATE TO THEATER ), Theatre research international, 21(1), 1996, pp. 3-7
Citation: Lm. Anderson, FROM BLACKFACE TO GENUINE NEGROES, 19TH-CENTURY MINSTRELSY AND THE ICON OF THE NEGRO, Theatre research international, 21(1), 1996, pp. 17-23
Citation: J. Fiebach, CULTURAL IDENTITIES, INTERCULTURALISM, AND THEATER - ON THE POPULAR YORUBA TRAVELING THEATER, Theatre research international, 21(1), 1996, pp. 52-58
Citation: J. Andreasen, COMMUNITY PLAYS - A SEARCH FOR IDENTITY( THE CONTEMPORARY SITUATION IN DENMARK ), Theatre research international, 21(1), 1996, pp. 72-78
Citation: A. Scullion, WOMEN IN THE AMERICAN THEATER - ACTRESSES AND AUDIENCES, 1790-1870 - DUDDEN,FE, Theatre research international, 21(1), 1996, pp. 81-82
Citation: Am. Taylor, DRAMA AND THEATER OF THE EUROPEAN AVANT-GARDE - GERMAN - MENNEMEIER,FN, FISCHERLICHTE,E, Theatre research international, 21(1), 1996, pp. 85-86
Citation: L. Senelick, FROM STANISLAVSKY TO GORBACHEV, THE THEATER-STUDIOS OF LENINGRAD - STENBERG,DG, Theatre research international, 21(1), 1996, pp. 86-86