Citation: J. Ausubel, THIS HOT, DEPENDENT ORATOR - SHIFTING NARRATIVE STANCE AND THE COLLISION OF SPEAKER AND READER IN 'NOTES TOWARD A SUPREME FICTION', Twentieth century literature, 42(3), 1996, pp. 360-373
Citation: Jf. Callahan, FITZGERALD,F.SCOTT EVOLVING AMERICAN-DREAM - THE PURSUIT OF HAPPINESSIN 'GATSBY', 'TENDER IS THE NIGHT', AND THE 'LAST TYCOON', Twentieth century literature, 42(3), 1996, pp. 374-395
Citation: W. Mcbrien, 20TH-CENTURY-LITERATURES ANDREW-J-KAPPEL-PRIZE-IN-LITERARY-CRITICISM,1996 + RADO,LISA, Twentieth century literature, 42(2), 1996, pp. 190-191
Citation: L. Rado, HYPSOS OR SPADIA - RETHINKING ANDROGYNY IN 'ULYSSES' WITH HELP FROM SACHER-MASOCH, Twentieth century literature, 42(2), 1996, pp. 193-207
Citation: J. Vandivere, WAVES AND FRAGMENTS - LINGUISTIC CONSTRUCTION AS SUBJECT FORMATION INWOOLF,VIRGINIA, Twentieth century literature, 42(2), 1996, pp. 221-233
Citation: R. Hoberman, MASQUING THE PHALLUS - GENITAL AMBIGUITY IN RENAULT,MARY HISTORICAL NOVELS, Twentieth century literature, 42(2), 1996, pp. 277-293
Citation: Dw. Landrum, REWRITING MARX, EMANCIPATION AND RESTORATION IN THE 'FRENCH LIEUTENANTS WOMAN', Twentieth century literature, 42(1), 1996, pp. 103-113
Citation: E. Warburton, ASHES, ASHES, WE ALL FALL DOWN, 'OURIKA', 'CINDERELLA', AND THE 'FRENCH LIEUTENANTS WOMAN', Twentieth century literature, 42(1), 1996, pp. 165-186
Citation: Jm. Sibley, THE JOHN-FOWLES-PAPERS AT THE HARRY-RANSOM-HUMANITIES-RESEARCH-CENTER, THE UNIVERSITY-OF-TEXAS AT AUSTIN, Twentieth century literature, 42(1), 1996, pp. 187-191