Citation: D. Boyd, THE PUBLIC AND PRIVATE LIVES OF A SENTIMENTAL BLOKE (ON THE 1919 AUSTRALIAN FILM THE 'SENTIMENTAL BLOKE'), Cinema journal, 37(4), 1998, pp. 3-18
Citation: C. Jurca, HOLLYWOOD, THE DREAM HOUSE FACTORY (A NEW INTERPRETATION OF THE 1948 FILM 'MR BLANDINGS BUILDS HIS DREAM HOUSE'), Cinema journal, 37(4), 1998, pp. 19-36
Citation: A. Lowenstein, FILMS WITHOUT A FACE - SHOCK HORROR IN THE CINEMA OF FRANJU,GEORGES (THE DEVELOPMENT OF A HORROR-INFLECTED AESTHETICS IN HIS 2 MOST SIGNIFICANT FILMS, LE 'SANG DES BETES' AND LES 'YEUX SANS VISAGE'), Cinema journal, 37(4), 1998, pp. 37-58
Citation: R. Baird, ANIMALIZING 'JURASSIC PARK'S DINOSAURS - BLOCKBUSTER SCHEMATA AND CROSS-CULTURAL COGNITION IN THE THREAT SCENE, Cinema journal, 37(4), 1998, pp. 82-103
Citation: Rj. Berenstein, ADAPTATION, CENSORSHIP AND AUDIENCES OF QUESTIONABLE TYPE - LESBIAN SIGHTINGS IN 'REBECCA' (1940) AND THE 'UNINVITED' (1944), Cinema journal, 37(3), 1998, pp. 16-37
Citation: M. Roberts, 'BARAKA' - WORLD CINEMA AND THE GLOBAL CULTURE INDUSTRY (GLOBAL DOCUMENTARY BY FRICKE,RON), Cinema journal, 37(3), 1998, pp. 62-82
Citation: P. Lehman, PREACHING PLURALISM - PLURALISM, TRUTH AND SCHOLARLY INQUIRY IN FILM STUDIES (REPLY TO BORDWELL,DAVID), Cinema journal, 37(2), 1998, pp. 90-92
Citation: P. Lehman, A RESPONSE TO LEHMAN,PETER ESSAY 'PLURALISM VERSUS THE CORRECT POSITION' (REPLY TO MINNIS,STUART), Cinema journal, 37(2), 1998, pp. 95-97
Citation: T. Anderson, REFORMING JACKASS MUSIC - THE PROBLEMATIC AESTHETICS OF EARLY AMERICAN FILM-MUSIC ACCOMPANIMENT, Cinema journal, 37(1), 1997, pp. 3-22
Citation: Dh. Slavin, FRENCH CINEMAS OTHER FIRST WAVE - POLITICAL AND RACIAL ECONOMIES OF CINEMA-COLONIAL 1918 TO 1934, Cinema journal, 37(1), 1997, pp. 23-46