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Table of contents of journal: *Cinema journal

Results: 1-25/134

Authors: BOYD D
Citation: D. Boyd, THE PUBLIC AND PRIVATE LIVES OF A SENTIMENTAL BLOKE (ON THE 1919 AUSTRALIAN FILM THE 'SENTIMENTAL BLOKE'), Cinema journal, 37(4), 1998, pp. 3-18

Authors: JURCA C
Citation: C. Jurca, HOLLYWOOD, THE DREAM HOUSE FACTORY (A NEW INTERPRETATION OF THE 1948 FILM 'MR BLANDINGS BUILDS HIS DREAM HOUSE'), Cinema journal, 37(4), 1998, pp. 19-36

Authors: LOWENSTEIN A
Citation: A. Lowenstein, FILMS WITHOUT A FACE - SHOCK HORROR IN THE CINEMA OF FRANJU,GEORGES (THE DEVELOPMENT OF A HORROR-INFLECTED AESTHETICS IN HIS 2 MOST SIGNIFICANT FILMS, LE 'SANG DES BETES' AND LES 'YEUX SANS VISAGE'), Cinema journal, 37(4), 1998, pp. 37-58

Authors: LANE C
Citation: C. Lane, FROM THE 'LOVELESS' TO 'POINT BREAK' - BIGELOW,KATHRYN TRAJECTORY IN ACTION, Cinema journal, 37(4), 1998, pp. 59-81

Authors: BAIRD R
Citation: R. Baird, ANIMALIZING 'JURASSIC PARK'S DINOSAURS - BLOCKBUSTER SCHEMATA AND CROSS-CULTURAL COGNITION IN THE THREAT SCENE, Cinema journal, 37(4), 1998, pp. 82-103

Authors: HERSHFIELD J
Citation: J. Hershfield, RACE AND ROMANCE IN 'BIRD OF PARADISE' (FILM DIRECTED BY VIDOR,KING), Cinema journal, 37(3), 1998, pp. 3-15

Authors: BERENSTEIN RJ
Citation: Rj. Berenstein, ADAPTATION, CENSORSHIP AND AUDIENCES OF QUESTIONABLE TYPE - LESBIAN SIGHTINGS IN 'REBECCA' (1940) AND THE 'UNINVITED' (1944), Cinema journal, 37(3), 1998, pp. 16-37

Authors: HIGASHI S
Citation: S. Higashi, MELODRAMA, REALISM AND RACE - WORLD-WAR-II NEWSREELS AND PROPAGANDA FILM, Cinema journal, 37(3), 1998, pp. 38-61

Authors: ROBERTS M
Citation: M. Roberts, 'BARAKA' - WORLD CINEMA AND THE GLOBAL CULTURE INDUSTRY (GLOBAL DOCUMENTARY BY FRICKE,RON), Cinema journal, 37(3), 1998, pp. 62-82

Authors: HAENNI S
Citation: S. Haenni, STAGING METHODS, CINEMATIC TECHNIQUE AND SPATIAL POLITICS, Cinema journal, 37(3), 1998, pp. 83-108

Authors: HOLLINGER K
Citation: K. Hollinger, THEORIZING MAINSTREAM FEMALE SPECTATORSHIP - THE CASE OF THE POPULAR LESBIAN FILM, Cinema journal, 37(2), 1998, pp. 3-17

Authors: LAU JKW
Citation: Jkw. Lau, BESIDES FISTS AND BLOOD - HONG-KONG COMEDY AND ITS MASTER OF THE 80S, Cinema journal, 37(2), 1998, pp. 18-34

Authors: CHAN K
Citation: K. Chan, THE CONSTRUCTION OF BLACK-MALE IDENTITY IN BLACK ACTION FILMS OF THE 90S, Cinema journal, 37(2), 1998, pp. 35-48

Authors: SUNER A
Citation: A. Suner, POSTMODERN DOUBLE CROSS - READING CRONENBERG,DAVID 'M. BUTTERFLY' AS A HORROR STORY, Cinema journal, 37(2), 1998, pp. 49-64

Authors: PLANTINGA C
Citation: C. Plantinga, SPECTACLES OF DEATH - EASTWOOD,CLINT AND VIOLENCE IN 'UNFORGIVEN', Cinema journal, 37(2), 1998, pp. 65-83

Authors: BORDWELL D
Citation: D. Bordwell, PREACHING PLURALISM - PLURALISM, TRUTH AND SCHOLARLY INQUIRY IN FILM STUDIES, Cinema journal, 37(2), 1998, pp. 84-90

Authors: LEHMAN P
Citation: P. Lehman, PREACHING PLURALISM - PLURALISM, TRUTH AND SCHOLARLY INQUIRY IN FILM STUDIES (REPLY TO BORDWELL,DAVID), Cinema journal, 37(2), 1998, pp. 90-92

Authors: MINNIS S
Citation: S. Minnis, A RESPONSE TO LEHMAN,PETER ESSAY 'PLURALISM VERSUS THE CORRECT POSITION', Cinema journal, 37(2), 1998, pp. 92-95

Authors: LEHMAN P
Citation: P. Lehman, A RESPONSE TO LEHMAN,PETER ESSAY 'PLURALISM VERSUS THE CORRECT POSITION' (REPLY TO MINNIS,STUART), Cinema journal, 37(2), 1998, pp. 95-97

Authors: ANDERSON T
Citation: T. Anderson, REFORMING JACKASS MUSIC - THE PROBLEMATIC AESTHETICS OF EARLY AMERICAN FILM-MUSIC ACCOMPANIMENT, Cinema journal, 37(1), 1997, pp. 3-22

Authors: SLAVIN DH
Citation: Dh. Slavin, FRENCH CINEMAS OTHER FIRST WAVE - POLITICAL AND RACIAL ECONOMIES OF CINEMA-COLONIAL 1918 TO 1934, Cinema journal, 37(1), 1997, pp. 23-46

Authors: WORLAND R
Citation: R. Worland, OWI MEETS THE MONSTERS - HOLLYWOOD HORROR FILMS AND WAR PROPAGANDA, 1942 TO 1945, Cinema journal, 37(1), 1997, pp. 47-65

Authors: FU P
Citation: P. Fu, THE AMBIGUITY OF ENTERTAINMENT - CHINESE CINEMA IN JAPANESE-OCCUPIED SHANGHAI, 1941 TO 1945, Cinema journal, 37(1), 1997, pp. 66-84

Authors: PONECH T
Citation: T. Ponech, VISUAL-PERCEPTION AND MOTION-PICTURE SPECTATORSHIP, Cinema journal, 37(1), 1997, pp. 85-100

Authors: BRASSELL RB
Citation: Rb. Brassell, A SEED FOR CHANGE - THE ENGENDERMENT OF A 'FLORIDA ENCHANTMENT', Cinema journal, 36(4), 1997, pp. 3-21
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