Citation: Lx. Lombardo, ILL-EFFECTS - THE MEDIA VIOLENCE DEBATE - BAKER,M, PETLEY,J/, The Journal of popular film and television, 25(3), 1997, pp. 138-139
Citation: Jh. Lenihan, FROM THE WRIGHT BROTHERS TO 'TOP GUN' - AVIATION, NATIONALISM AND POPULAR CINEMA - PARIS,M, The Journal of popular film and television, 25(3), 1997, pp. 138-138
Citation: G. Plasketes, STORYTELLERS TO THE NATION - A HISTORY OF AMERICAN TELEVISION WRITING- STEMPEL,T, The Journal of popular film and television, 25(3), 1997, pp. 140-141
Citation: C. Anderson, SIN AND CENSORSHIP - THE CATHOLIC-CHURCH AND THE MOTION-PICTURE INDUSTRY - WALSH,F, The Journal of popular film and television, 25(3), 1997, pp. 141-141
Citation: G. Burns, RE-VIEWING RECEPTION - TELEVISION, GENDER, AND POSTMODERN CULTURE - JOYRICH,L, The Journal of popular film and television, 25(3), 1997, pp. 142-144
Citation: R. Fallows, GEORGE-BAILEY IN THE VITAL CENTER - POSTWAR LIBERAL POLITICS AND 'ITSA WONDERFUL LIFE', The Journal of popular film and television, 25(2), 1997, pp. 50-56
Citation: A. Rostron, MR. CARTER GOES TO WASHINGTON + AMERICAN FILMS AND CARTER,JIMMY PRESIDENCY, The Journal of popular film and television, 25(2), 1997, pp. 57-67
Citation: P. Dolgenos, THE STAR ON C.A.-ROTWANG DOOR - TURNING KRACAUER ON ITS HEAD( LANG,FRITZ 'METROPOLIS' ), The Journal of popular film and television, 25(2), 1997, pp. 68-75
Citation: J. Simmons, A DAMNED NUISANCE - THE PRODUCTION CODE AND THE PROFANITY AMENDMENT OF 1954, The Journal of popular film and television, 25(2), 1997, pp. 76-82
Citation: G. Burns, 'LOU GRANT' - THE MAKING OF TVS TOP NEWSPAPER DRAMA - DANIEL,DK, The Journal of popular film and television, 25(2), 1997, pp. 90-91
Citation: R. Doak, STURGES,PRESTON VISION OF AMERICA - CRITICAL ANALYSES OF 14 FILMS - ROZGONYI,J, The Journal of popular film and television, 25(2), 1997, pp. 90-90
Citation: B. Robards, ATTACK OF THE LEADING LADIES - GENDER, SEXUALITY, AND SPECTATORSHIP IN CLASSIC HORROR CINEMA - BERENSTEIN,RJ, The Journal of popular film and television, 25(2), 1997, pp. 92-93
Citation: Am. Brueggemann, THE MINISTRY OF ILLUSION - NAZI CINEMA AND ITS AFTERLIFE - RENTSCHLER,E, The Journal of popular film and television, 25(2), 1997, pp. 93-93