Citation: T. Shary, THE ROAD TO ROMANCE AND RUIN - TEEN FILMS AND YOUTH CULTURE - LEWIS,J, The Journal of popular film and television, 25(1), 1997, pp. 39-45
Citation: Mf. Norden, EDISON,THOMAS,A. AND HIS KINETOGRAPHIC MOTION-PICTURES - MUSSER,C, The Journal of popular film and television, 25(1), 1997, pp. 46-46
Citation: Jm. Welsh, FROM PEEP SHOW TO PALACE - THE BIRTH OF AMERICAN FILM - ROBINSON,D, The Journal of popular film and television, 25(1), 1997, pp. 47-48
Citation: Km. Jackson, FROM MOUSE TO MERMAID - THE POLITICS OF FILM, GENDER, AND CULTURE - BELL,E, HAAS,L, SELLS,L, The Journal of popular film and television, 25(1), 1997, pp. 48-48
Citation: Jr. Bennett et C. Lee, PUBLIC BROADCASTING IN THE UNITED-STATES - A BIBLIOGRAPHY OF CRITICISM .2., The Journal of popular film and television, 24(4), 1997, pp. 152-162
Citation: P. Mccarthy, THE MOUNTAIN MAN AND AMERICAN ANGUISH - THE TELEWESTER, THE SCAPEGOATCOMPLEX, AND THE EXTREME WEST, The Journal of popular film and television, 24(4), 1997, pp. 165-176
Citation: Jr. Bennett, THE PUBLIC-BROADCASTING-SERVICE - CENSORSHIP, SELF-CENSORSHIP, AND THE STRUGGLE FOR INDEPENDENCE, The Journal of popular film and television, 24(4), 1997, pp. 177-181
Citation: Ba. Austin, IN FRONT OF THE CHILDREN - SCREEN ENTERTAINMENT AND YOUNG AUDIENCES -BAZALGETTE,C, BUCKINGHAM,D, The Journal of popular film and television, 24(4), 1997, pp. 182-183
Citation: Km. Jackson, HAUNTINGS - POPULAR FILM AND AMERICAN CULTURE, 1990-1992 - NATOLI,J, The Journal of popular film and television, 24(4), 1997, pp. 184-185
Citation: B. Robards, FAMILY PLOTS - THE DE-OEDIPALIZATION OF POPULAR-CULTURE - HELLER,D, The Journal of popular film and television, 24(4), 1997, pp. 184-184
Citation: Kh. Fuller, AN INDEX TO SHORT AND FEATURE FILM REVIEWS IN THE MOVING-PICTURE-WORLD - THE EARLY YEARS, 1907-1915 - DAGOSTINO,AM, The Journal of popular film and television, 24(4), 1997, pp. 185-185
Citation: S. Moorti, LOVE AND IDEOLOGY IN THE AFTERNOON - SOAP-OPERA, WOMEN, AND TELEVISION GENRE - MUMFORD,LS, The Journal of popular film and television, 24(4), 1997, pp. 185-186
Citation: Mf. Norden, DARK CARNIVAL - THE SECRET WORLD OF BROWNING,TOD, HOLLYWOOD MASTER OFTHE MACABRE - SKAL,DJ, SAVADA,E, The Journal of popular film and television, 24(4), 1997, pp. 186-187
Citation: Ac. Fellman, BAD WOMEN - REGULATING SEXUALITY IN EARLY AMERICAN CINEMA - STAIGER,J, The Journal of popular film and television, 24(4), 1997, pp. 187-188
Citation: Ha. Garrity, MISTS OF REGRET - CULTURE AND SENSIBILITY IN CLASSIC FRENCH FILM - ANDREW,D, The Journal of popular film and television, 24(4), 1997, pp. 188-188
Citation: J. Ludlow, MAKING THINGS PERFECTLY QUEER - INTERPRETING MASS-CULTURE - DOTY,A, The Journal of popular film and television, 24(4), 1997, pp. 188-190
Citation: J. Hammond, DRAG QUEEN AS ANGEL - TRANSFORMATION AND TRANSCENDENCE IN 'TO WONG FOO, THANKS FOR EVERYTHING, JULIE NEWMAR', The Journal of popular film and television, 24(3), 1996, pp. 106-114
Citation: C. Jordan, GENDER AND CLASS MOBILITY IN 'SATURDAY NIGHT FEVER' AND 'FLASHDANCE', The Journal of popular film and television, 24(3), 1996, pp. 116-122