Citation: G. Edgerton, BURNS,KEN AMERICA -WAR - STYLE, AUTHORSHIP AND CULTURAL MEMORY( DOCUMENTARY OF THE CIVIL), The Journal of popular film and television, 21(2), 1993, pp. 50-62
Citation: Wd. Romanowski, STONE,OLIVER 'JFK' - COMMERCIAL FILMMAKING, CULTURAL HISTORY, AND CONFLICT, The Journal of popular film and television, 21(2), 1993, pp. 63-71
Citation: Jr. Keller, STONE,OLIVER 'JFK' AND THE CIRCULATION OF SOCIAL ENERGY AND THE TEXTUALITY OF HISTORY, The Journal of popular film and television, 21(2), 1993, pp. 72-78
Citation: Ja. Brown, BULLETS, BUDDIES, AND BAD-GUYS - THE ACTION-COP GENRE( POLICE FILMS ), The Journal of popular film and television, 21(2), 1993, pp. 79-87
Citation: G. Morris, BEYOND THE BEACH, SOCIAL AND FORMAL ASPECTS OF AIPS BEACH-PARTY MOVIES + TEEN FILMS, The Journal of popular film and television, 21(1), 1993, pp. 2-11
Citation: D. Sundelson, THE DEMON THERAPIST AND OTHER DANGERS - DEMME,JONATHAN THE 'SILENCE OF THE LAMBS', The Journal of popular film and television, 21(1), 1993, pp. 12-17
Citation: F. Pilipp et C. Shull, AMERICAN VALUE AND IMAGES - TV MOVIES OF THE 1ST DECADE OF AIDS, The Journal of popular film and television, 21(1), 1993, pp. 19-26
Citation: M. Haltof, IN QUEST OF SELF-IDENTITY - GALLIPOLI, MATESHIP, AND THE CONSTRUCTIONOF AUSTRALIAN NATIONAL IDENTITY, The Journal of popular film and television, 21(1), 1993, pp. 27-36
Citation: S. Fore, AMERICA, AMERICA, THIS IS YOU - THE CURIOUS CASE OF AMERICA-FUNNIEST-HOME-VIDEOS( TELEVISION PROGRAMS ), The Journal of popular film and television, 21(1), 1993, pp. 37-45
Citation: Jh. Lenihan, ENGLISH CLASSICS FOR COLD-WAR AMERICA, MGMS 'KIM' (1950), 'IVANHOE' (1952), AND 'JULIUS CAESAR' + MCCARTHYISM, BLACKLISTING AND THE FILM INDUSTRY, The Journal of popular film and television, 20(3), 1992, pp. 42-51
Citation: C. Ames, RESTORING THE BLACK-MANS 'LETHAL WEAPON' - RACE AND SEXUALITY IN CONTEMPORARY COP FILMS, The Journal of popular film and television, 20(3), 1992, pp. 52-60
Citation: Mp. Mcallister, RECOMBINANT TELEVISION GENRES AND 'DOOGIE HOWSER, M.D.' + TEEN COMEDIES, The Journal of popular film and television, 20(3), 1992, pp. 61-69
Citation: Jl. Simmons, THE PRODUCTION-CODE AND PRECEDENT - HOW HOLLYWOOD CENSORS SOUGHT TO ELIMINATE BROTHELS AND PROSTITUTION IN 'FROM HERE TO ETERNITY' AND 'EAST OF EDEN', The Journal of popular film and television, 20(3), 1992, pp. 70-80
Citation: Jl. Pallister, REEL WOMEN - PIONEERS OF THE CINEMA - 1896 TO THE PRESENT - ACKER,A, The Journal of popular film and television, 20(3), 1992, pp. 82-83
Citation: Jl. Pallister, EMBATTLED SHADOWS - A HISTORY OF CANADIAN CINEMA, 1895-1939 - MORRIS,P, The Journal of popular film and television, 20(3), 1992, pp. 83-83
Citation: Bk. Urish, BEHIND THE MASK OF INNOCENCE - SEX, VIOLENCE, CRIME - FILMS OF SOCIALCONSCIENCE IN THE SILENT ERA - BROWNLOW,K, The Journal of popular film and television, 20(3), 1992, pp. 83-83