Citation: Ch. Helmetag, RECREATING WHARTON,EDITH NEW-YORK IN SCORSESE,MARTIN THE 'AGE OF INNOCENCE', Literature film quarterly, 26(3), 1998, pp. 162-165
Citation: D. Librach, SEX, LIES, AND AUDIOTAPE - POLITICS AND HEURISTICS IN 'DRESSED TO KILL' AND 'BLOW OUT', Literature film quarterly, 26(3), 1998, pp. 166-177
Citation: S. Hantke, THE KINGDOM OF THE UNIMAGINABLE - THE CONSTRUCTION OF SOCIAL SPACE AND THE FANTASY OF PRIVACY IN SERIAL KILLER NARRATIVES, Literature film quarterly, 26(3), 1998, pp. 178-195
Citation: Aj. Thomas, THE 'SHELTERING SKY' AND THE SORROW OF MEMORY - READING BERTOLUCCI THROUGH DELEUZE, Literature film quarterly, 26(3), 1998, pp. 196-203
Citation: D. Stenberg, WHO SHOT THE SEA-GULL - CHEKHOV,ANTON INFLUENCE ON ALLEN,WOODY 'BULLETS OVER BROADWAY', Literature film quarterly, 26(3), 1998, pp. 204-213
Citation: Jr. Craig, AN OCCURRENCE ON 'JACOBS LADDER' - MIND GAMES AND VIEWER RESPONSE IN 'JACOBS LADDER', Literature film quarterly, 26(3), 1998, pp. 227-229
Citation: K. Jurkiewicz, 'JACOBS LADDER' - VIEWER RESPONSE, SELECTIVE REMEMBRANCE, AND COLLECTIVE AMNESIA IN POST-POLITICAL AMERICA, Literature film quarterly, 26(3), 1998, pp. 230-233
Citation: Dl. Hoeveler, SILENCE, SEX AND FEMINISM - AN EXAMINATION OF THE 'PIANO'S UNACKNOWLEDGED SOURCES (CAMPION,JANE), Literature film quarterly, 26(2), 1998, pp. 109-116
Citation: A. Piette, THE FACE IN THE MIRROR FAUST AS A SELF-DECEIVED ACTOR ('MEPHISTO' DIRECTED BY SZABO,ISTVAN), Literature film quarterly, 26(2), 1998, pp. 136-141
Citation: J. Cohn, WARRIORS AND WOMEN IN 'SANJURO' AND 'NICHINICHI HEIAN' (KUROSAWA,AKIRA AND YAMAMOTO,SHUGORO), Literature film quarterly, 26(2), 1998, pp. 148-152
Citation: M. Wilson, ART IS AMBIGUOUS - THE ZOOM IN 'DEATH IN VENICE' (FILM DIRECTED BY VISCONTI,LUCHINO), Literature film quarterly, 26(2), 1998, pp. 153-156