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Results: 76-100/272
Authors:
WELSH J
Citation: J. Welsh, 'WILLIAMS SHAKESPEARES ROMEO AND JULIET' - LUHRMANN,B, Literature film quarterly, 25(2), 1997, pp. 152-153
Authors:
WELSH J
Citation: J. Welsh, 'HAMLET', BY SHAKESPEARE,WILLIAM - SCREENPLAY AND INTRODUCTION - BRANAGH,K, Literature film quarterly, 25(2), 1997, pp. 154-155
Authors:
PHILLIPS GD
Citation: Gd. Phillips, RICHARDSON,TONY - A BIOBIBLIOGRAPHY - RADOVICH,D, Literature film quarterly, 25(2), 1997, pp. 156-156
Authors:
WELSH J
Citation: J. Welsh, STATE-OF-THE-ART + CINEMA - 25 YEARS LATER, Literature film quarterly, 25(1), 1997, pp. 2-6
Authors:
STILLER L
Citation: L. Stiller, LETTER + JONES,EDWARD 'MUSICAL AND POETICAL RELICKS OF THE WELSH BARDS', Literature film quarterly, 25(1), 1997, pp. 6-6
Authors:
LEITCH TM
Citation: Tm. Leitch, KNOW-NOTHING ENTERTAINMENT - WHAT TO SAY TO YOUR FRIENDS ON THE RIGHT, AND WHY IT WONT DO ANY GOOD, Literature film quarterly, 25(1), 1997, pp. 7-17
Authors:
LAVERY D
Citation: D. Lavery, NO BOX OF CHOCOLATES - THE ADAPTATION OF 'FORREST GUMP', Literature film quarterly, 25(1), 1997, pp. 18-22
Authors:
HUDGINS CC
Citation: Cc. Hudgins, 'LOLITA' 1995 - THE 4 FILMSCRIPTS, Literature film quarterly, 25(1), 1997, pp. 23-29
Authors:
DUNNE M
Citation: M. Dunne, THE 'SCARLET LETTER' ON FILM - 90-YEARS OF REVISIONING, Literature film quarterly, 25(1), 1997, pp. 30-39
Authors:
HAYES J
Citation: J. Hayes, THE SEDUCTION OF ALEXANDER BEHIND THE POSTMODERN DOOR - BERGMAN,INGMAR AND BAUDRILLARD 'DE LA SEDUCTION', Literature film quarterly, 25(1), 1997, pp. 40-48
Authors:
MALAND C
Citation: C. Maland, HOW MUCH CHAPLIN APPEARS IN CHAPLIN - A LOOK AT ATTENBOROUGH SCREEN BIOGRAPHY, Literature film quarterly, 25(1), 1997, pp. 49-54
Authors:
WHALEN T
Citation: T. Whalen, THE BALLOON OF EQUILIBRIUM - SYMMETRY, STRUCTURES, AND NARRATIVE AUTHORITY IN KEATON,BUSTER THE 'BLACKSMITH', Literature film quarterly, 25(1), 1997, pp. 55-61
Authors:
KUNZ D
Citation: D. Kunz, STONE,OLIVER 'TALK RADIO', Literature film quarterly, 25(1), 1997, pp. 62-67
Authors:
PHILLIPS G
Citation: G. Phillips, RUSSELL,KEN 2 LAWRENCE FILMS - THE 'RAINBOW' AND 'WOMEN IN LOVE', Literature film quarterly, 25(1), 1997, pp. 68-73
Authors:
TIBBETTS JC
BROWNLOW K
Citation: Jc. Tibbetts et K. Brownlow, AN INTERVIEW WITH BROWNLOW,KEVIN, Literature film quarterly, 25(1), 1997, pp. 74-76
Authors:
TSEO GKY
Citation: Gky. Tseo, 'JOY LUCK' - THE PERILS OF TRANSCULTURAL TRANSLATION( TAN,AMY, CHINESE FILM ), Literature film quarterly, 24(4), 1996, pp. 338-343
Authors:
STILLER L
Citation: L. Stiller, 'SUO GAN' AND 'EMPIRE OF THE SUN' + SPIELBERG,STEVEN FILMSCORE, WELSHMUSIC, Literature film quarterly, 24(4), 1996, pp. 344-347
Authors:
FARNSWORTH R
Citation: R. Farnsworth, AN AUSTRALIAN CULTURAL SYNTHESIS - WAYANG, THE HOLLYWOOD ROMANCE, ANDTHE 'YEAR OF LIVING DANGEROUSLY', Literature film quarterly, 24(4), 1996, pp. 348-359
Authors:
HOWLETT K
Citation: K. Howlett, ARE YOU TRYING TO MAKE ME COMMIT SUICIDE - GENDER, IDENTITY, AND SPATIAL ARRANGEMENT IN KUROSAWA 'RAN', Literature film quarterly, 24(4), 1996, pp. 360-366
Authors:
FRY C
KEMP C
Citation: C. Fry et C. Kemp, RAMBO AGONISTES + SAMSON FILM THEME, Literature film quarterly, 24(4), 1996, pp. 367-375
Authors:
ENGEL C
Citation: C. Engel, LANGUAGE AND THE MUSIC OF THE SPHERES - SPIELBERG,STEVEN 'CLOSE ENCOUNTERS OF THE THIRD KIND', Literature film quarterly, 24(4), 1996, pp. 376-382
Authors:
KNIGHT CJ
Citation: Cj. Knight, ALLEN,WOODY 'HANNAH AND HER SISTERS' - DOMESTICITY AND ITS DISCONTENTS, Literature film quarterly, 24(4), 1996, pp. 383-392
Authors:
PERRY DR
Citation: Dr. Perry, IMPS OF THE PERVERSE - DISCOVERING THE POE HITCHCOCK CONNECTION/, Literature film quarterly, 24(4), 1996, pp. 393-399
Authors:
MALONE D
Citation: D. Malone, A LINGUISTIC APPROACH TO THE BAKHTINIAN HERO IN MARTIN,STEVE 'ROXANNE', Literature film quarterly, 24(4), 1996, pp. 400-406
Authors:
DIAMOND S
Citation: S. Diamond, WHOS AFRAID OF GEORGE AND MARTHAS PARLOR - DOMESTIC F(R)ICTIONS AND THE STIR-CRAZY GAZE OF HOLLYWOOD( ALBEE 'WHOS AFRAID OF VIRGINIA WOOLF'), Literature film quarterly, 24(4), 1996, pp. 407-413