Citation: M. Borchjacobsen, NEUROTICA -ABUSE, AND THE HYPNOTIC MYTH OF THE OEDIPUS-COMPLEX - FREUD AND THE SEDUCTION-THEORY( CHILD SEXUALITY, CHILD), October, (76), 1996, pp. 15-43
Citation: A. Sekula, UNTITLED SLIDE SEQUENCE - END OF DAY SHIFT, GENERAL-DYNAMICS-CONVAIR-DIVISION AEROSPACE FACTORY, SAN-DIEGO, CALIFORNIA, 17 FEBRUARY 1972( PHOTOGRAPHY ), October, (76), 1996, pp. 45-71
Citation: G. Baker, PHOTOGRAPHY BETWEEN NARRATIVITY AND STASIS - SANDER,AUGUST, DEGENERATION, AND THE DECAY OF THE PORTRAIT, October, (76), 1996, pp. 72-113
Citation: P. Eisenman et S. Kolbowski, LIKE THE DIFFERENCE BETWEEN AUTUMN WINTER-94/95 AND SPRING/SUMMER-95 + PHOTOGRAPHS OF SITES FROM THE EXHIBITION ENTITLED, 'ARCHITECTURES OFDISPLAY'/, October, (75), 1996, pp. 83-98
Citation: A. Riegl, EXCERPTS FROM THE 'DUTCH GROUP PORTRAIT' -TRANSLATION OF THE 1902 ORIGINAL WITH ILLUSTRATIONS AND TRANSLATORS NOTES BY BINSTOCK,BENJAMIN( ENGLISH), October, (74), 1995, pp. 3-35
Citation: J. Barry, 'NOT RECONCILED' -GOING PROJECT QUESTIONING THE CONSTRUCTION OF IDENTITY AND THE COMPLEXITIES OF COMPETING IDEOLOGIES( ON), October, (73), 1995, pp. 55-70
Citation: D. Levin, TAKING LIBERTIES WITH LIBERTIES TAKEN - ON THE POLITICS OF SANDER,HELKE 'BEFREIER UND BEFREITE' (VOL 72, PG 68, 1994), October, (73), 1995, pp. 138-138
Citation: S. Liebman et A. Michelson, AFTER THE FALL, WOMEN IN THE HOUSE OF THE HANGMEN + GERMANY BURDEN OFTHE PAST AND THE HISTORIOGRAPHIC CONTRIBUTIONS OF SANDER,HELKE 'LIBERATORS TAKE LIBERTIES', October, (72), 1995, pp. 4-14