Citation: D. Knafo, DRESSING UP AND OTHER GAMES OF MAKE-BELIEVE -ART, SCULPTURE - THE FUNCTION OF PLAY IN THE ART OF SHERMAN,CINDY( CONTEMPORARY), American imago, 53(2), 1996, pp. 139-164
Citation: C. Gandelman, PATRI-ARSE - REVOLUTION AS ANALITY IN THE SCATOLOGICAL CARICATURES OFTHE REFORMATION AND THE FRENCH-REVOLUTION, American imago, 53(1), 1996, pp. 7-24
Citation: D. Wagenknecht, RECASTING MOSES - NARRATIVE AND DRAMA IN THE DUMBSHOW OF FREUD THE 'MOSES OF MICHELANGELO', American imago, 52(4), 1995, pp. 439-461
Citation: J. Watson, GUYS AND DOLLS - EXPLORATORY REPETITION AND MATERNAL SUBJECTIVITY IN THE FORT-DA-GAME( PSYCHOANALYSIS ), American imago, 52(4), 1995, pp. 463-503
Citation: N. Freedman, INTRODUCTORY-REMARKS - CONFERENCE ON PSYCHOANALYSIS AND POWER - SPONSORED BY GOETHE-HOUSE AND THE NEW-SCHOOL-FOR-SOCIAL-RESEARCH 12 10-11/1993/, American imago, 52(3), 1995, pp. 239-242
Citation: V. Friedrich, THE INTERNALIZATION OF NAZISM AND ITS EFFECTS ON GERMAN PSYCHOANALYSIS AND THEIR PATIENTS, American imago, 52(3), 1995, pp. 261-279
Citation: Hp. Blum, THE INTERGENERATIONAL TABOO OF NAZISM - A RESPONSE AND ELABORATION OFFRIEDRICH,VOLKER PAPER, 'INTERNALIZATION OF NAZISM AND ITS EFFECTS ONGERMAN PSYCHOANALYSTS AND THEIR PATIENTS', American imago, 52(3), 1995, pp. 281-289
Citation: K. Brecht, IN THE AFTERMATH OF NAZI-GERMANY - MITSCHERLICH,ALEXANDER AND PSYCHOANALYSIS - LEGEND AND LEGACY, American imago, 52(3), 1995, pp. 291-312