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Citation: B. Gordon, THE TORCHBEARERS - WOMEN AND THEIR AMATEUR ARTS ASSOCIATIONS IN AMERICA, 1890-1930 - BLAIR,KJ, American quarterly, 49(1), 1997, pp. 193-202
Citation: Hs. Barron, FARMING THE HOME PLACE - A JAPANESE-AMERICAN COMMUNITY IN CALIFORNIA,1919-1982 - MATSUMOTO,VJ, American quarterly, 49(1), 1997, pp. 203-209
Citation: Km. Taro, DENOMINATED SAVAGE - METHODISM, WRITING, AND IDENTITY IN THE WORKS OFAPESS,WILLIAM, A PEQUOT, American quarterly, 48(4), 1996, pp. 653-679
Citation: J. Bodnar, ETHNICITY ON PARADE - INVENTING THE NORWEGIAN-AMERICAN THROUGH CELEBRATION - SCHULTZ,AR, American quarterly, 48(4), 1996, pp. 716-723
Citation: D. Harris, CERAMIC UNCLES AND CELLULOID MAMMIES - BLACK-IMAGES AND THEIR INFLUENCE ON CULTURE - TURNER,PA, American quarterly, 48(4), 1996, pp. 746-750
Citation: Ra. Gutierrez, GAY NEW-YORK - URBAN CULTURE, AND THE MAKING OF THE GAY MALE WORLD, 1890-1940 - CHAUNCEY,G, American quarterly, 48(3), 1996, pp. 500-506