Citation: P. Cooke, MOREAU,GUSTAVE FROM 'SONG OF SONGS' (1853) TO 'ORPHEUS' (1866) - THE MAKING OF A SYMBOLIST PAINTER, Apollo, 148(439), 1998, pp. 37-45
Citation: Rp. Townsend, CARAVAGGO AND HIS ITALIAN FOLLOWERS FROM THE COLLECTIONS OF THE GALLERIA-NAZIONAL-DARTE-ANTICA-DI-ROMA, Apollo, 148(439), 1998, pp. 49-50
Citation: Jm. Rosenfeld, SCIENCE AND THE PERCEPTION OF NATURE - BRITISH LANDSCAPE ART IN THE LATE 18TH AND EARLY 19TH CENTURIES - KLONK,C, Apollo, 148(439), 1998, pp. 57-57
Citation: R. Pound, FURY-AFTER-LICENTIOUS-PLEASURES - A RAKES-PROGRESS AND CONCERNS ABOUTLUXURY IN 18TH-CENTURY ENGLAND, Apollo, 148(438), 1998, pp. 17-21
Citation: V. Bertmaring, 20TH-CENTURY INTERPRETATIONS OF A 'RAKES PROGRESS' - THE INSPIRATION OF A MODERN MORAL SUBJECT (HOGARTH, LOW, HOCKNEY, IMMENDORFF, WHISTLER, SEARLE), Apollo, 148(438), 1998, pp. 26-34