Table of contents of journal: *Caliban (Toulouse)

Results: 26-28/28

CONSTRUCTIONS OF WOMEN IN BRITISH CINEMA - FROM LOSEY( THE 'SERVANT' AND 'SAMMY AND ROSIE GET LAID' )PINTER MODERNISM TO THE POSTMODERNISM OF FREARS/KUREISHI/

Authors: CACQUERAY ED

Citation: Ed. Cacqueray, CONSTRUCTIONS OF WOMEN IN BRITISH CINEMA - FROM LOSEY( THE 'SERVANT' AND 'SAMMY AND ROSIE GET LAID' )PINTER MODERNISM TO THE POSTMODERNISM OF FREARS/KUREISHI/, Caliban, 32, 1995, pp. 109-120

THE COWBOY AND THE MARSHAL - 2 FACES OF THE WEST IN THE 'OX-BOW INCIDENT' AND 'MY DARLING CLEMENTINE'( WELLMAN,WILL IAM AND FORD,JOHN )

Authors: LEPELLEC Y

Citation: Y. Lepellec, THE COWBOY AND THE MARSHAL - 2 FACES OF THE WEST IN THE 'OX-BOW INCIDENT' AND 'MY DARLING CLEMENTINE'( WELLMAN,WILL IAM AND FORD,JOHN ), Caliban, 32, 1995, pp. 121-134

CONSUMING THE IMAGE OF THE STAR - A STUDY OF THE CIGARETTE MOTIF IN 'ALL ABOUT EVE', A 'STAR IS BORN' (1954), AND 'OPENING NIGHT'( MANKIEW ICZ,JOSEPH,L., CUKOR,GEORGE, CASSAVETES,JOHN )

Authors: COSTADEBEAUREGARD R

Citation: R. Costadebeauregard, CONSUMING THE IMAGE OF THE STAR - A STUDY OF THE CIGARETTE MOTIF IN 'ALL ABOUT EVE', A 'STAR IS BORN' (1954), AND 'OPENING NIGHT'( MANKIEW ICZ,JOSEPH,L., CUKOR,GEORGE, CASSAVETES,JOHN ), Caliban, 32, 1995, pp. 135-145

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