Citation: T. Brunius, OLD NORDIC CHURCHES AND THE POINTS OF COMPASS (CHRISTIAN ARCHITECTURE, SWEDEN), Konsthistorisk tidskrift, 66(4), 1997, pp. 211-217
Citation: G. Cavallibjorkman, A 'MUSICAL PARTY' BY LATARTE,PAUL, A LITTLE-KNOWN PAINTER FROM LORRAINE, Konsthistorisk tidskrift, 66(4), 1997, pp. 233-239
Citation: B. Vahlne, SOME NOTES ON TESSIN,NICODEMUS THE YOUNGE RS TREATISE ON INTERIOR DECORATION AND ON HIS OWN PALACE, Konsthistorisk tidskrift, 66(4), 1997, pp. 241-245
Citation: S. Soderlind, THE ART-HISTORY OF HANDBOOKS - THE CREATI ON OF GENERAL-ART-HISTORY IN GERMANY IN THE 19TH-CENTURY - SWEDISH - KARLHOLM,D, Konsthistorisk tidskrift, 66(4), 1997, pp. 261-265
Citation: Jf. Moffitt, BALAAM OR ISAIAH IN THE CATACOMB-OF-PRISCILLA -CHRISTIAN ART IN THE ROMAN CATACOMBS( EARLY), Konsthistorisk tidskrift, 66(2-3), 1997, pp. 77-87
Citation: A. Karahan, THE PALEOLOGAN ICONOGRAPHY OF THE CHORA-CHURCH AND ITS RELATION TO GREEK ANTIQUITY, Konsthistorisk tidskrift, 66(2-3), 1997, pp. 89-95
Citation: B. Baert, THE FIGURE OF SETH IN THE VAULT-PAINTINGS IN THE PARISH-CHURCH OF OSTOFTE - IN SEARCH OF THE ICONOGRAPHICAL TRADITION (MURAL PAINTINGS), Konsthistorisk tidskrift, 66(2-3), 1997, pp. 97-111
Citation: H. Keazor, POUSSIN,NICOLAS - STRIDES, REVERSES AND BACKLOGS - SOME NOTES ON THE CLEVELAND DRAWING, Konsthistorisk tidskrift, 66(2-3), 1997, pp. 155-165
Citation: C. Nolin, THE AGE OF COMPETITION - THE SIGNIFICANCE OF ARCHITECTURAL CONTESTS IN BOURGEOIS SWEDEN - SWEDISH - WAERN,R, Konsthistorisk tidskrift, 66(2-3), 1997, pp. 175-176
Citation: R. Stefaniak, ON LOOKING INTO THE ABYSS -CENTURY ITALIAN RELIGIOUS PAINTING - LEONARDO 'VIRGIN OF THE ROCKS'( 15TH), Konsthistorisk tidskrift, 66(1), 1997, pp. 1-36