Citation: A. Danielsson, MARGARET-OF-SCOTLAND AT THE DOMKIRKE IN R OSKILDE, DENMARK - ANSWER TO KRUSE,ANETTE, Konsthistorisk tidskrift, 66(1), 1997, pp. 67-69
Citation: P. Reutersward, IMAGE-TIME - TIME-FORMS AND NARRATIVE-STR UCTURE IN THE PLASTIC ARTS FROM THE BEGINNINGS TO THE EARLY-MODERN PERIOD - GERMAN - POCHAT,G, Konsthistorisk tidskrift, 66(1), 1997, pp. 72-75
Citation: P. Reutersward, 2 STANDARD WORKS BY BLOMMER,NILS,JAKOB - 'ANGSALVOR' AND AN INCOMPARABLE PORTRAIT, Konsthistorisk tidskrift, 65(4), 1996, pp. 207-216
Citation: C. Lengefeld, ZORN,ANDERS 2 PORTRAITS OF LIEBERMAN,MAX - ARTISTIC LIFE IN PARIS ANDBERLIN IN THE 1890S, Konsthistorisk tidskrift, 65(4), 1996, pp. 231-251
Citation: Sn. Blum, EARTHLY SAINTS - THE CONCORDANCE OF FLEMISH AND FLORENTINE ART IN THE15TH-CENTURY, Konsthistorisk tidskrift, 65(3), 1996, pp. 151-178
Citation: C. Lind, THEY HEARD HER SINGING HER LAST SONG - THE PRE-RAPHAELITES AND THE LADY OF SHALOT( TENNYSON THE 'LADY OF SHALOTT' ), Konsthistorisk tidskrift, 65(3), 1996, pp. 181-195
Citation: P. Reutersward, NAR MOLNEN STORMSLAGNA JAGAR - PRINCE-EUG EN PAINTING DET 'LUGNA VATTNET', Konsthistorisk tidskrift, 65(3), 1996, pp. 197-202
Citation: P. Reutersward, FACES - MERIAN,MATTHEUS THE YOUNGERS PORT RAITS IN THE SKOKLOSTER - SWEDISH - LOSMAN,A, Konsthistorisk tidskrift, 65(3), 1996, pp. 205-205
Citation: M. Milman, THE MYSTERIOUS NEJLIKAN REVISITED - SOME THOUGHTS ABOUT THE SYMBOLISMOF THE CARNATION, Konsthistorisk tidskrift, 65(2), 1996, pp. 115-134
Citation: T. Weimarck, CHANCE MEETINGS OF UMBRELLAS WITH SEWING-MACHINES - SOME REFLECTIONS ON THE OBJECT, THE TABLE AND THE TABLEAU IN 20TH-CENTURY ART, Konsthistorisk tidskrift, 65(2), 1996, pp. 143-150