Citation: E. Piltz, SIGNUMS HISTORY OF SWEDISH ART, VOL 3, RO MANESQUE ART - SWEDISH - KARLSSON,L, LINDGREN,M, NOCKERT,M, PILTZ,A, SVANBERG,J, TANGEBERG,P, ULLEEN,M, Konsthistorisk tidskrift, 65(1), 1996, pp. 61-63
Citation: P. Reutersward, DOUBLE PORTRAIT - ARTIST COUPLES AT THE B EGINNING OF THE 20TH-CENTURY - SWEDISH - BECK,I, WALDENSTROM,B, Konsthistorisk tidskrift, 65(1), 1996, pp. 65-67
Citation: C. Lengefeld, BUT IM ONLY A PAINTER - LIEBERMANN,MAX AN D LIEBERMANN,MARTHA IN THE THIRD-REICH - GERMAN - SCHMALHAUSEN,B, Konsthistorisk tidskrift, 65(1), 1996, pp. 67-69
Citation: N. Lindgren, A NORTH-RUSSIAN ICONOGRAPHERS MANUAL IN S WEDEN -LIBRARY, STOCKHOLM, ACC.NO.1975-116( ROYAL), Konsthistorisk tidskrift, 64(4), 1995, pp. 241-250
Citation: E. Piltz, SIGNUMS HISTORY OF SWEDISH ART, VOL 2, AR T OF THE VIKING-AGE - SWEDISH - WILSON,DM, Konsthistorisk tidskrift, 64(4), 1995, pp. 251-254
Citation: E. Piltz, SIGNUMS HISTORY OF SWEDISH ART, VOL 1, ST ONE-AGE, BRONZE-AGE, IRON-AGE - SWEDISH - LARSSON,L, LARSSON,TB, Konsthistorisk tidskrift, 64(4), 1995, pp. 251-254
Citation: F. Bedoire, CHURCH, ESTATE, AND FACTORY - THE FRENCH- REFORMED CAPITALIST AS BUILDING PROJECT COMMISSIONER AND CULTURAL MEDIATOR IN 18TH-CENTURY SWEDEN, Konsthistorisk tidskrift, 64(3), 1995, pp. 147-162
Citation: I. Rosell, KING-KARLS-CHURCH IN KUNGSOR - A CONTRIBU TION TO THE QUESTION CONCERNING THE SOURCE OF THE DESIGNS, Konsthistorisk tidskrift, 64(3), 1995, pp. 190-190
Citation: S. Hansson, GIFT AND SOUL - EPITAPH PAINTING IN THE A GE-OF-GREATNESS - SWEDISH -GILLGREN,P, Konsthistorisk tidskrift, 64(3), 1995, pp. 191-193