Citation: V. Vienne, ILLUSTRATION AND THE POLITICS OF POLITE OUTRAGE (THE ULTIMATE SALVATION FOR ARTISTS TODAY LIES IN ASSERTING NOT JUST OWNERSHIP, BUT AUTHORSHIP OF THEIR WORK), Graphis (Zurich), 54(316), 1998, pp. 18
Citation: T. Metz, KOEWEIDEN-POSTMA-ASSOCIATES - SURPRISE AND TITILLATE (GRAPHICS BY KOEWEIDEN,JACQUES AND POSTMA,PAUL), Graphis (Zurich), 54(316), 1998, pp. 64-65
Citation: M. Byars, WHAT EVER HAPPENED TO FRENCH DESIGN (THE PARIS FURNITURE FAIR, AND THE STARCK,PHILIPPE PHENOMENON), Graphis (Zurich), (315), 1998, pp. 10
Citation: Mb. Prisant, WAR OF THE WOR(L)DS (HOW CAN WORK WITH AN UNCANNY RESEMBLANCE TO GRAPHIC-DESIGN BE CALLED ART IN A MUSEUM AND MERELY DESIGN IN A MAGAZINE), Graphis (Zurich), (315), 1998, pp. 14
Citation: Y. Tavarez, CONSUMER PRODUCTS (DESIGN WORKS BY THARP,BRUCE,M., BADALICH,MICHELLE,PORBE,ALEXANDER, BERGNE,SEBASTIAN AND DUFAY,CHRISTIAN), Graphis (Zurich), (315), 1998, pp. 18-23
Citation: A. Lubow, CRAWLING INTO THE BRAIN OF SPIEGELMAN,ART (A DEFENSE OF THE LOWLY COMIC-STRIP AND WHY IT IS THE MOST INTIMATE ART FORM OF ALL), Graphis (Zurich), (315), 1998, pp. 40
Citation: K. Obolensky, CARMICHAEL-LYNCH - TURNING ADMEN INTO ENTHUSIASTS (THE MINNEAPOLIS-BASED AGENCY HAS BUILT A CREATIVE POWERHOUSE, A PORTFOLIO OF DESIGN WORKS), Graphis (Zurich), (315), 1998, pp. 48