Citation: M. Deangelis, ORCHESTRATED (DIS)ORIENTATION - ROLLER-COASTERS, THEME PARKS, AND POSTMODERNISM( CULTURAL HISTORY ), Cultural critique, (37), 1997, pp. 107-129
Citation: Bv. Olguin, TATTOOS, ABJECTION, AND THE POLITICAL UNCONSCIOUS - TOWARDS A SEMIOTICS OF THE 'PINTO' VISUAL VERNACULAR( SALINAS,RAUL ), Cultural critique, (37), 1997, pp. 159-213
Citation: Td. Taylor, PEOPLING THE STAGE - OPERA, OTHERNESS, AND NEW MUSICAL REPRESENTATIONS IN THE 18TH-CENTURY, Cultural critique, (36), 1997, pp. 55-88
Citation: Kw. Lee, IS THE GLASS HALF-EMPTY OR HALF-FULL - RETHINKING THE PROBLEMS OF POSTCOLONIAL REVISIONISM, Cultural critique, (36), 1997, pp. 89-117
Citation: Dr. Paulin, DE-ESSENTIALIZING INTERRACIAL REPRESENTATIONS - BLACK-AND-WHITE BORDER-CROSSINGS IN LEE,SPIKE 'JUNGLE FEVER' AND BUTLER,OCTAVIA 'KINDRED', Cultural critique, (36), 1997, pp. 165-193
Citation: Vj. Cheng, OF CANONS, COLONIES, AND CRITICS - THE ETHICS AND POLITICS OF POSTCOLONIAL JOYCE STUDIES, Cultural critique, (35), 1997, pp. 81-104
Citation: L. Gandhi, CONCERNING VIOLENCE - THE LIMITS AND CIRCULATIONS OF GANDHIAN AHIMSA OR PASSIVE RESISTANCE, Cultural critique, (35), 1997, pp. 105-147
Citation: M. Quinn, NEVER SHOULDA BEEN LET OUT THE PENITENTIARY - GANGSTA RAP AND THE STRUGGLE OVER RACIAL IDENTITY, Cultural critique, (34), 1996, pp. 65-89
Citation: T. Olaniyan, UPLIFT THE RACE - 'COMING TO AMERICA', 'DO THE RIGHT THING', AND THE POETICS AND POLITICS OF OTHERING, Cultural critique, (34), 1996, pp. 91-113
Citation: C. Willett, BAUDRILLARD, 'AFTER HOURS', AND THE POSTMODERN SUPPRESSION OF SOCIO-SEXUAL CONFLICT + HOLLYWOOD SCREWBALL COMEDY OF THE 1930S AND 1940S, Cultural critique, (34), 1996, pp. 143-161