Citation: C. Juilliardbeaudan, THE FASCINATION OF THE HANGMAN IN THE WOR KS OF DUMAS,ALEXANDRE, Nineteenth-century French studies, 25(3-4), 1997, pp. 293-301
Citation: Sd. Carpenter, OF FALSE NAPOLEON, AND OTHER POLITICAL PROSTHESES - WRITING OPPOSITIONALLY FROM THE 2ND EMPIRE, Nineteenth-century French studies, 25(3-4), 1997, pp. 302-319
Citation: M. Cambien, BETWEEN SATIRE AND PHILOSOPHICAL POETRY - POLEMIC DISCOURSE IN VIGNY,ALFRED,DE 'DESTINEES', Nineteenth-century French studies, 25(3-4), 1997, pp. 320-334
Citation: C. Rifelj, CES-TABLEAUX-DU-MONDE - KEEPSAKES IN 'MADAME BOVARY'( A VISUAL AND LITERARY INTERTEXT FOR FLAUBERT ), Nineteenth-century French studies, 25(3-4), 1997, pp. 360-385
Citation: M. Catel et R. Lloyd, LETTERS OF MERRILL,STUART + AN AMERICAN WRITER OF FRENCH SYMBOLIST POETRY, Nineteenth-century French studies, 25(3-4), 1997, pp. 386-414
Citation: E. Lecalvez, THE RULES OF ART - GENESIS AND STRUCTURE OF THE LITERARY FIELD - BOURDIEU,P, EMANUEL,S, Nineteenth-century French studies, 25(3-4), 1997, pp. 415-419
Citation: M. Ricedefosse, THE NOVEL AND ENUMERATION - FROM FLAUBERT TO PEREC - FRENCH - BROCHU,A, Nineteenth-century French studies, 25(3-4), 1997, pp. 419-420
Citation: T. Richardson, ACTS OF FICTION - RESISTANCE AND RESOLUTION FROM SADE TO BAUDELAIRE -CARPENTER,S, Nineteenth-century French studies, 25(3-4), 1997, pp. 420-423
Citation: W. Johnson, THE ESSAYISTIC SPIRIT - LITERATURE, MODERN CRITICISM, AND THE ESSAY -DEOBALDIA,C, Nineteenth-century French studies, 25(3-4), 1997, pp. 423-424
Citation: G. Prince, ECONOMIES OF CHANGE - FORM AND TRANSFORMATION IN THE 19TH-CENTURY NOVEL - GINSBURG,MP, Nineteenth-century French studies, 25(3-4), 1997, pp. 426-426
Citation: M. Donaldsonevans, BODIES IN PIECES - FANTASTIC NARRATIVE AND THE POETICS OF THE FRAGMENT - HARTER,D, Nineteenth-century French studies, 25(3-4), 1997, pp. 426-427
Citation: S. Vandeventer, DIFFERENCE UNBOUND - THE RISE OF PLURALISM IN LITERATURE AND CRITICISM - METZIDAKIS,S, Nineteenth-century French studies, 25(3-4), 1997, pp. 430-431
Citation: Sj. Cohenscali, THE HERMAPHRODITE OF THE ROMANTICS FROM M YTH TO LITERARY MYTH - FRENCH - MONNEYRON,F, Nineteenth-century French studies, 25(3-4), 1997, pp. 431-432
Citation: Mn. Richards, THE FIRST PROSE POEMS - GENEALOGY OF A LI TERARY-GENRE IN FRANCE IN THE FIRST-HALF OF THE 19TH-CENTURY - FRENCH - VINCENTMUNNIA,N, Nineteenth-century French studies, 25(3-4), 1997, pp. 433-434
Citation: Hm. Harder, THE MECHANICAL SONG - WOMEN, VOICE AND THE ARTIFICIAL IN 19TH-CENTURYFRENCH NARRATIVE - FRANK,FM, Nineteenth-century French studies, 25(3-4), 1997, pp. 434-436
Citation: Dj. Dziekowicz, THE REPRESENTATION OF MESMERISM IN BALZAC,HONORE,DE LA 'COMEDIE HUMAINE' - MARCUS,KM, Nineteenth-century French studies, 25(3-4), 1997, pp. 440-441
Citation: Js. Patty, BAUDELAIRE IN THE VIEW OF HIS CONTEMPORARIES - FRENCH - BANDY,WT, PICHOIS,C, Nineteenth-century French studies, 25(3-4), 1997, pp. 441-442
Citation: B. Keegan, BAUDELAIRE - INDIVIDUALISM, DANDYISM AND THE PHILOSOPHY OF HISTORY - HOWELLS,B, Nineteenth-century French studies, 25(3-4), 1997, pp. 442-444