Citation: E. Burch, GETTING CLOSER TO FOLK TV PRODUCTION - NONTRADITIONAL USES OF VIDEO IN THE US AND OTHER CULTURES, Journal of film and video, 49(4), 1997, pp. 18-29
Citation: Wj. Brown et Jd. Meeks, EXPERIMENTING WITH THE ENTERTAINMENT-EDUCATION STRATEGY IN FILM AND VIDEO, Journal of film and video, 49(4), 1997, pp. 30-43
Citation: Kg. Tomaselli et A. Shepperson, COURSE FILE FOR DOCUMENTARY FILM, VISUAL ANTHROPOLOGY, AND VISUAL SOCIOLOGY, Journal of film and video, 49(4), 1997, pp. 44-57
Citation: J. Veitch, THE POLITICS AND PARADOXES OF CENSORSHIP - 'MISS LONELYHEARTS' IN HOLLYWOOD (PRASKINS,LEONARD ADAPTATION OF WEST,NATHANAEL NOVEL), Journal of film and video, 49(3), 1997, pp. 6-14
Citation: S. Buzzard, SCRIPTING FOR A VIEWER RESPONSE - WOOLRICH, TRUFFAUT, AND THE 'BRIDE WORE BLACK', Journal of film and video, 49(3), 1997, pp. 15-27
Citation: J. Rush et C. Baughman, LANGUAGE AS NARRATIVE VOICE - THE POETICS OF THE HIGHLY INFLECTED SCREENPLAY, Journal of film and video, 49(3), 1997, pp. 28-37
Citation: C. Baughman, 3 SCRIPTS (HOOLBOOM,MIKE EXPERIMENTAL FILMS, THE 'BIG SHOW', 'WHITE MUSEUM' AND 'FRANKS COCK'), Journal of film and video, 49(3), 1997, pp. 38-39
Citation: J. Rush, COURSE FILE FOR NARRATIVE FILM, THEORY AND PRACTICE (CLASS OUTLINE WITH SUGGESTED SCREENINGS AND READINGS), Journal of film and video, 49(3), 1997, pp. 48-67
Citation: F. Menendez, WRITING FOR MULTIMEDIA - ENTERTAINMENT, EDUCATION, TRAINING, ADVERTISING, AND THE WORLD-WIDE-WEB - GARRAND,T, Journal of film and video, 49(3), 1997, pp. 68-69
Citation: E. Nonas, STORY SENSE - WRITING STORY AND SCRIPT FOR FEATURE FILMS AND TELEVISION - LUCEY,P, Journal of film and video, 49(3), 1997, pp. 70-72
Authors:
KUIPER JB
FARMER H
WAGNER B
HOCKMAN N
PAINE F
FIELDING R
ROSE E
SELBY SA
STAPLES DE
BUKALSKI PJ
MCLANE B
LEVIN B
ZIRPOLA D
DANCYGER K
ROSS S
BARBIER A
Citation: Jb. Kuiper et al., WHAT SHOULD UFVA BRING FORWARD FROM THE PAST TO THE FUTURE - PRESIDENTS FORUM (SUMMARIES OF STATEMENTS MADE BY 15 PAST PRESIDENTS OF THE UNIVERSITY-FILM-AND-VIDEO-ASSOCIATION FROM 1953 UP TO 1998), Journal of film and video, 49(3), 1997, pp. 73-84
Citation: B. Mortimer, PORTRAITS OF THE POSTMODERN PERSON IN 'TAXI DRIVER', 'RAGING BULL', AND THE 'KING OF COMEDY', Journal of film and video, 49(1-2), 1997, pp. 28-38
Citation: E. Strain, SNAPSHOTS OF GREECE - 'NEVER ON SUNDAY' AND THE EAST WEST POLITICS OFTHE VACATION FILM/, Journal of film and video, 49(1-2), 1997, pp. 80-93