Citation: Is. Goldman, MULTIPLE VOICES IN FEMINIST FILM-CRITICISM - CARSON,D, DITTMAR,L, WELSCH,JR, Journal of film and video, 48(1-2), 1996, pp. 80-87
Citation: Ww. Dixon, THE FILMS OF CASSAVETES,JOHN - PRAGMATISM, MODERNISM AND THE MOVIES -CARNEY,R, Journal of film and video, 48(1-2), 1996, pp. 88-94
Citation: J. Steffen, PARAJANOV PLAYFUL POETICS - ON THE DIRECTORS-CUT OF THE 'COLOR OF POMEGRANATES', Journal of film and video, 47(4), 1996, pp. 17-32
Citation: Ww. Dixon, POINTS OF RESISTANCE - WOMEN, POWER AND POLITICS IN THE NEW-YORK AVANT-GARDE CINEMA, 1943-71 - RABINOVITZ,L, Journal of film and video, 47(4), 1996, pp. 46-48
Citation: J. White, QUEER LOOKS - PERSPECTIVES ON LESBIAN AND GAY FILM AND VIDEO - GEVER,M, GREYSON,J, PARMAR,P, Journal of film and video, 47(4), 1996, pp. 48-52
Citation: Ww. Dixon, CINEMATIC LANDSCAPES - OBSERVATIONS ON THE VISUAL-ARTS AND CINEMA OF CHINA AND JAPAN - EHRLICH,LC, DESSER,D, Journal of film and video, 47(4), 1996, pp. 52-54
Citation: G. Moss, GEOTHERMAL - A RISKY-BUSINESS IN HAWAII WAO-KELE-O-PUNA RAIN-FOREST -CONNETT,P, BAILEY,R, LAFFEY,R, Journal of film and video, 47(4), 1996, pp. 59-61
Citation: S. Neale, THE STORY OF CUSTER IN EVERYTHING BUT NAME, COLONEL-THURSDAY AND 'FORT APACHE', Journal of film and video, 47(1-3), 1995, pp. 26-32
Citation: T. Schneider, FINDING A NEW HEIMAT IN THE WILD WEST, MAY,KARL AND THE GERMAN WESTERN OF THE 1960S, Journal of film and video, 47(1-3), 1995, pp. 50-66
Citation: Wg. Simon et L. Spence, COWBOY WONDERLAND, HISTORY, AND MYTH, IT-AINT-ALL-THAT-DIFFERENT-THAN-REAL-LIFE, Journal of film and video, 47(1-3), 1995, pp. 67-81