Citation: Nk. Martin, 'RED SHOE DIARIES', SEXUAL FANTASY AND THE CONSTRUCTION OF THE (HETERO)SEXUAL WOMAN + KING,ZALMAN FILM AND CABLE NETWORK SERIES, Journal of film and video, 46(2), 1994, pp. 44-57
Citation: P. Lunenfeld, THERE ARE PEOPLE IN THE STREETS WHOVE NEVER HAD A CHANCE TO SPEAK, BLUE,JAMES AND THE COMPLEX DOCUMENTARY, Journal of film and video, 46(1), 1994, pp. 21-33
Citation: T. Williams, TELEVISION STUDIES, TELEVISION THEORIES, SERIES AND MINISERIES -LEVELCLASSES IN CINEMA THEORY, AND THE HISTORY OF AMERICAN AND BRITISH CINEMA, WITH SCREENINGS AND READINGS( COURSE DESIGNED TO COMPLEMENT GRADUATE), Journal of film and video, 46(1), 1994, pp. 43-60
Citation: A. Knee, CINEMA, CENSORSHIP, AND THE STATE - THE WRITINGS OF OSHIMA,NAGISA, 1956-1978 - MICHELSON,A, Journal of film and video, 46(1), 1994, pp. 66-68
Citation: Wc. Metz, POMP(OUS) SIRK-UMSTANCE, INTERTEXTUALITY, ADAPTATION, AND 'ALL THAT HEAVEN ALLOWS', Journal of film and video, 45(4), 1993, pp. 3-21
Citation: S. Fore, TALES OF RECOMBINANT FEMININITY, THE 'REINCARNATION OF GOLDEN LOTUS',THE 'CHIN PING MEI', AND THE POLITICS OF MELODRAMA IN HONG-KONG, Journal of film and video, 45(4), 1993, pp. 57-70
Citation: B. Nichols, A COMMENTARY ON ANDERSON,JOSEPH AND ANDERSON,BARBARA ARTICLE CONCERNING THE PERSISTENCE OF VISION, Journal of film and video, 45(4), 1993, pp. 76-76
Citation: L. Mizejewski, PICTURING THE FEMALE DICK - THE 'SILENCE OF THE LAMBS' AND 'STEEL BLUE'( THE DEPICTION OF THE FEMALE AS THE AGGRESSOR IN CONTEMPORARY CRIMEFILMS ), Journal of film and video, 45(2-3), 1993, pp. 6-23
Citation: E. Johnson et E. Schaefer, SOFT-CORE HARD-CORE -BUDGET EXPLOITATION FEATURE TURNED PORN ON ITS EAR - 'SNUFF' AS A CRISIS IN MEANING( HOW A LOW), Journal of film and video, 45(2-3), 1993, pp. 40-59
Citation: J. Banks et Pr. Zimmermann, WESTHEIMER,RUTH, DOCTOR - TALKING SEX AS A TECHNOLOGY OF POWER, Journal of film and video, 45(2-3), 1993, pp. 60-71