Citation: W. Feldman, TURKEY - KADIRI DERVISH CEREMONIES - FRENCH AND ENGLISH - VDG-GALLO-CD-587( ERGUNER,AK ), Yearbook for traditional music, 25, 1993, pp. 182-184
Citation: U. Sharvit, YIKHES - EARLY KLEZMER RECORDINGS FROM 1907-1930 FROM THE COLLECTION OF SCHWARTZ,MARTIN - GERMAN - TRIKONT-VERLAG-MUNCHEN-US-0179( RUBIN,J,OTTENS,R ), Yearbook for traditional music, 25, 1993, pp. 184-185
Citation: I. Macchiarella, POLYPHONIC MUSIC OF SARDINIA - FRENCH AND ENGLISH - LE-CHANT-DU-MONDE--LDX-274-760( LORTATJACOB,B ), Yearbook for traditional music, 25, 1993, pp. 185-186
Citation: G. Thompson, TRADITIONAL-MUSIC OF THE WORLD, VOL 2, FOLK-MUSIC OF UTTAR-PRADESH, INDIA - MUSICAPHON-BM-55802-ADD( TEWARI,LG ), Yearbook for traditional music, 25, 1993, pp. 186-188
Citation: P. Minden, TALLERS-DE-MUSICA-POPULAR SOUND DOCUMENTATION OF THE TRADITIONAL-MUSIC OF VALENCIA, SPAIN + A REVIEW OF 8 RECORDINGS FROM THE DISC SERIES, Yearbook for traditional music, 25, 1993, pp. 188-191
Citation: L. Li, THE SYMBOLIZATION PROCESS OF THE SHAMANISTIC DRUMS USED BY THE MANCHUS AND OTHER PEOPLES IN NORTH ASIA, Yearbook for traditional music, 24, 1992, pp. 53-80
Citation: L. Wei, THE DUALITY OF THE SACRED AND THE SECULAR IN CHINESE BUDDHIST MUSIC -AN INTRODUCTION, Yearbook for traditional music, 24, 1992, pp. 81-90
Citation: Py. Tsao et Xm. Shi, CURRENT RESEARCH OF TAOIST RITUAL MUSIC IN MAINLAND CHINA AND HONG-KONG, Yearbook for traditional music, 24, 1992, pp. 118-125
Citation: Hr. Lawrence, IS THE TAHITIAN-DRUM-DANCE REALLY TAHITIAN, REEVALUATING THE EVIDENCEFOR THE ORIGINS OF CONTEMPORARY POLYNESIAN DRUM-DANCE, Yearbook for traditional music, 24, 1992, pp. 126-137
Citation: S. Knopoff, YUTA-MAINKAY, JUXTAPOSITION OF ANCESTRAL AND CONTEMPORARY ELEMENTS INTHE PERFORMANCE OF YOLNGU CLAN SONG, Yearbook for traditional music, 24, 1992, pp. 138-153
Citation: S. Williams, SUDANESE MUSIC IN THE CIANJURAN STYLE - ANTHROPOLOGICAL AND MUSICOLOGICAL ASPECTS OF TEMBANG-SUNDA - VANZANTEN,W, Yearbook for traditional music, 24, 1992, pp. 159-160
Citation: E. Tolbert, HEALING SOUNDS FROM THE MALAYSIAN RAIN-FOREST - TEMIAR MUSIC AND MEDICINE - ROSEMAN,R, Yearbook for traditional music, 24, 1992, pp. 161-162
Citation: E. Tolbert, TAMING THE WIND OF DESIRE - PSYCHOLOGY, MEDICINE, AND AESTHETICS IN MALAY SHAMANISTIC PERFORMANCE - LADERMAN,C, Yearbook for traditional music, 24, 1992, pp. 162-163
Citation: M. Helffer, CULTURAL COGNITION IN MUSIC - CONTINUITY AND CHANGE IN THE GURUUN MUSIC OF NEPAL - MOISALA,P, Yearbook for traditional music, 24, 1992, pp. 163-164
Citation: L. Wolberger, ORAL-TRANSMISSION OF THE MISHNAH - A METHOD OF APPLIED ANALYSIS OF THE TRADITION OF ALEP - FRENCH - ALVAREZPEREYRE,F, Yearbook for traditional music, 24, 1992, pp. 164-166